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Special Effects - Photographic Effects by Paul Detlefsen, John Crouse; Sound Effects by Nathan Levinson
- Best Motion Picture
- Directing
- Actor
- Actress
- Actor in A Supporting Role
- Actress in A Supporting Role
- Writing
- Music
- Film Editing
- Cinematography
Anchors Aweigh – Metro-Goldwyn-Mayer The Bells of St. Mary’s – Rainbow Productions The Lost Weekend – Paramount Mildred Pierce – Warner Bros. Spellbound– Selznick International Pictures
The Bells of St. Mary’s – Leo McCarey The Lost Weekend – Billy Wilder National Velvet – Clarence Brown The Southerner – Jean Renoir Spellbound– Alfred Hitchcock
Bing Crosby – The Bells of St. Mary’s Gene Kelly – Anchors Aweigh Ray Milland – The Lost Weekend Gregory Peck – The Keys of the Kingdom Cornel Wilde – A Song to Remember
Ingrid Bergman – The Bells of St. Mary’s Joan Crawford – Mildred Pierce Greer Garson – The Valley of Decision Jennifer Jones – Love Letters Gene Tierney – Leave Her to Heaven
Michael Chekhov – Spellbound John Dall – The Corn Is Green James Dunn – A Tree Grows in Brooklyn Robert Mitchum – G. I. Joe J. Carrol Naish – A Medal for Benny
Eve Arden – Mildred Pierce Ann Blyth – Mildred Pierce Angela Lansbury – The Picture of Dorian Gray Joan Lorring – The Corn Is Green Anne Revere – National Velvet
The Affairs of Susan – Thomas Monroe, Laszlo Gorog The House on 92nd Street – Charles G. Booth A Medal for Benny – John Steinbeck, Jack Wagner Objective, Burma! – Alvah Bessie A Song to Remember– Ernst Marischka
“Accentuate The Positive” – Here Come the Waves – Music by Harold Arlen; Lyrics by Johnny Mercer “Anywhere” – Tonight and Every Night – Music by Jule Styne; Lyrics by Sammy Cahn “Aren’t You Glad You’re You?” – The Bells of St. Mary’s – Music by James Van Heusen; Lyrics by Johnny Burke “The Cat And The Canary” – Why Girls Leave Home – Music by Jay L...
The Bells of St. Mary’s – Harry Marker The Lost Weekend – Doane Harrison National Velvet – Robert J. Kern Objective, Burma! – George Amy A Song to Remember– Charles Nelson
The Keys of the Kingdom – Arthur Miller The Lost Weekend – John F. Seitz Mildred Pierce – Ernest Haller The Picture of Dorian Gray – Harry Stradling Spellbound– George Barnes
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The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two or more films. From 1939 to 1963, it was an award for a film's visual effects as well as audio effects, so it was often given to two persons, although some years only one ...
Dec 3, 2023 · Academy Award for Best Visual Effects History OSCAR BEST VISUAL EFFECTS WINNERS. 1938: Spawn of the North ; 1939: The Rains Came; 1940: The Thief of Bagdad; 1941: I Wanted Wings; 1942: Reap the Wild Wind; 1943: Crash Dive; 1944: Thirty Seconds Over Tokyo; 1945: Wonder Man; 1946: Blithe Spirit; 1947: Green Dolphin Street; 1948: Portrait of ...
The 17th Academy Awards were held on March 15, 1945 at Grauman's Chinese Theatre, honoring the films of 1944. This was the first time the complete awards ceremony was broadcast nationally, on the Blue Network (later ABC Radio ).
- March 15, 1945
- Going My Way and Wilson (10)
- Going My Way (7)
17th Annual Academy Awards Results and Commentary (1945) ©A.M.P.A.S.®. Date of Ceremony: Thursday, March 15, 1945. For films released in: 1944. Host (s): John Cromwell and Bob Hope. Nominations List. Other years: < 16th. 18th >
See notes for the winners for each year. 1927-1928 - Engineering Effects 1938 - Special Award for Outstanding achievement in creating special photographic and sound effects 1939-1962 - Special Effects (including both sound and visual effects) 1963 - Special Effects 1964-1971 - Special Visual Effects 1972-1976 - Special Achievement in Visual Effe...
