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  1. Adelaide of Maurienne, also called Alix or Adele [1] (1092 – 18 November 1154) was Queen of France as the second wife of King Louis VI (1115–1137). Family. Adelaide was the daughter of Count Humbert II of Savoy and Gisela of Burgundy. [2] . Adelaide's older brother Amadeus III succeeded their father as count of Savoy in 1103. [3] .

  2. Adelaide of Maurienne was one of the most powerful queens in French history. A French noblewoman, she married King Louis VI in 1115 while in her teens. Clever and insightful, Adelaide revealed a nature well-suited to politics and state affairs, and she quickly became a trusted advisor to her husband as well as an important ruler in her own ...

  3. Nov 18, 2023 · Genealogy for Adelaide de Savoie, de Maurienne (c.1092 - 1154) family tree on Geni, with over 255 million profiles of ancestors and living relatives.

    • Saint Jean De Maurienne, Auvergne-Rhône-Alpes
    • "Alix", "Adèle"
    • Auvergne-Rhône-Alpes
    • circa 1092
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  5. Adelaide of Maurienne, also called Alix or Adele (1092 – 18 November 1154) was Queen of France as the second wife of King Louis VI (1115–1137). Quick Facts Queen consort of the Franks, Tenure ... Close. Family. Adelaide was the daughter of Count Humbert II of Savoy and Gisela of Burgundy.

  6. May 3, 2019 · Biography. 'She was the second Queen consort of Louis VI of France. She was the niece of Pope Callixtus II, who once visited her court in France. Her father died in 1103, and her mother married Renier I of Montferrat as a second husband. She became the second wife of Louis VI of France (1081-1137), whom she married on 3 August 1115.

  7. Adelaide of Maurienne, whose reputation among historians is the sub-ject of chapter 2 in this volume, provides an excellent window into the beginnings of effigival tomb sculpture in France and the context in which it developed, well before the manuscripts of Ingeborg and Blanche of Castile discussed in later chapters.3 Her tomb slab, a fragment ...

  8. Jan 1, 2016 · Abstract. I n the rapidly expanding discourse on queens in medieval Europe, scholars have realized that cultural patronage is as valuable an index of social role as more traditional markers such as signatures on charters. 1 Much of the discussion has centered on manuscripts, which from the late twelfth century was a medium much involved with ...

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