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After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from New York City's SoHo district during the ...
- Griffin Dunne
Thomas Griffin Dunne (/ ˈ d ʌ n /; born June 8, 1955) is an...
- Joseph Minion
Joseph Minion (born 1957) is an American screenwriter,...
- Teri Garr
Teri Ann Garr (born December 11, 1944) is an American former...
- Griffin Dunne
Oct 11, 1985 · After Hours: Directed by Martin Scorsese. With Griffin Dunne, Rosanna Arquette, Verna Bloom, Tommy Chong. An ordinary word processor has the worst night of his life after he agrees to visit a girl in Soho he met that evening at a coffee shop.
- (77K)
- Comedy, Crime, Drama
- Martin Scorsese
- 1985-10-11
Jan 14, 2009 · In "After Hours," each new person Paul meets promises that they will take care of him, make him happy, lend him money, give him a place to stay, let him use the phone, trust him with their keys, drive him home - and every offer of mercy turns into an unanticipated danger.
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Bursting with frantic energy and tinged with black humor, After Hours is a masterful -- and often overlooked -- detour in Martin Scorsese's filmography. In a Manhattan cafe, word processor Paul...
- (1.2K)
- Martin Scorsese
- R
- Griffin Dunne
Advertisement. The movie tells the story of a night in the life of Paul Hackett ( Griffin Dunne ), a midtown Manhattan word-processing specialist who hates his job and his lonely private life. One night in a restaurant he strikes up a conversation with a winsome young woman ( Rosanna Arquette ).
Paul Hackett (Griffin Dunn) is a lonely and bored computer word-processing consultant who wants more in his life than just going to work and going home every boring day of his life. One day involves teaching a new trainee, named Lloyd (Bronson Pinchot), the works of the computer.
Jul 11, 2023 · After Hours: No Exit. I n Martin Scorsese’s After Hours (1985), you never forget the presence of the camera. It careens forward on the diagonal in the opening scene, making a beeline for Paul Hackett (Griffin Dunne), a word processor in a Manhattan office.