Griffin Dunne
Paul Hackett
Search results
After Hours is a 1985 American black comedy film directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from New York City's SoHo district during the ...
- $10.6 million
- September 13, 1985
- $4.5 million
- Howard Shore
Oct 11, 1985 · A word processor has a nightmare of a date in New York's Soho, where he faces a series of absurd and dangerous situations. IMDb provides cast and crew, reviews, trivia, goofs, quotes, and more for this cult classic film.
- (77K)
- Comedy, Crime, Drama
- Martin Scorsese
- 1985-10-11
1985, Comedy, 1h 37m. 90% Tomatometer 68 Reviews. 87% Audience Score 10,000+ Ratings. What to know. Critics Consensus. Bursting with frantic energy and tinged with black humor, After Hours is a...
- (68)
- Martin Scorsese
- R
- Griffin Dunne
Jan 14, 2009 · Paul Hackett (Griffin Dunne) faces a series of bizarre and nightmarish challenges after a date in New York. Roger Ebert reviews this fast-paced and stylish film, which Scorsese made as an exercise in style and a response to his own frustration.
Mar 20, 2024 · Peter Bradshaw. Wed 20 Mar 2024 07.00 EDT. M artin Scorsese’s 1985 screwball noir is now on rerelease. It felt at the time – and feels now – like an atypical Scorsese movie, a more generic and...
A word processor has a nightmarishly surreal and bizarre night in SoHo after agreeing to meet a woman he met at a coffee shop. He faces various mishaps, coincidences, and dangers from the neighborhood and the people he meets. The movie is a comedy of errors and a thriller of coincidences.
A night in the life of a word-processing specialist who hits it off with a young woman in SoHo and faces a series of nightmares and tragedies. A masterpiece of comedy, horror and paranoia, with a haunting score by Howard Shore. Read Roger Ebert's review of this 1985 film that explores the nightmarish and absurd aspects of New York City.
