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Alejandro Fernando Amenábar Cantos (born 31 March 1972) is a Chilean-Spanish film director, screenwriter and composer. He has won nine Goyas—including a Goya Award for Best Director for his 2001 film The Others— two European Film Awards and one Academy Award for Best Foreign Language Film for The Sea Inside among other honors. He has ...
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- Alejandro Fernando Amenábar Cantos, 31 March 1972 (age 51), Santiago, Chile
- 1992–present
Alejandro Amenábar. Writer: The Others. Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996).
- January 1, 1
- Writer, Director, Composer
- Santiago de Chile, Chile
- Alejandro Amenábar
Alejandro Amenábar. Writer: The Others. Is the son of a Spanish mother and a Chilean father. His family moved back to Spain when he was 1 year old, and he grew up and studied in Madrid. He wrote, produced and directed his first short film La cabeza at the age of 19, and he was 23 when he directed his feature debut Thesis (1996).
- March 31, 1972
Aug 10, 2021 · Alejandro Amenábar helped to bring back the supernatural subgenre with help from Nicole Kidman in a film that owes a great debt to the classics. Scott Tobias. Tue 10 Aug 2021 02.16 EDT. Last ...
Alejandro Amenábar. Highest Rated: 96% Butterfly (1999) Lowest Rated: 14% Regression (2015) Birthday: Mar 31, 1972. Birthplace: Santiago de Chile, Chile. With only a pair of thrillers under his...
- March 31, 1972
Spanish cinema. In Spain: Cinema. …ambitious ghost stories such as Alejandro Amenábar’s The Others (2001) emerged as a genre that easily found audiences outside the country. Amenábar’s The Sea Inside (2004) won the Academy Award for best foreign-language film.
Feb 5, 2016 · 'The Others' director Alejandro Amenabar discusses his latest film, the psychological thriller 'Regression', starring Emma Watson and Ethan Hawke.
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