Yahoo Web Search

Search results

  1. Dec 22, 2015 · Dec. 22, 2015. A hellbent quest for authenticity produced some indelible on-set moments for Alejandro G. Iñárritu as he directed “The Revenant,” his two-and-a-half-hour opus of death, love ...

  2. Jul 2, 2017 · Alejandro G. Iñárritu’s conceptual virtual reality installation CARNE y ARENA (Virtually present, Physically invisible) explores the human condition of immigrants and refugees. Based on true accounts, the superficial lines between subject and bystander are blurred and bound together, allowing individuals to walk in a vast space and thoroughly live a fragment of the refugees’ personal ...

  3. Sep 4, 2022 · TELLURIDE, Colo. — Everything about Alejandro G. Iñárritu’s new film is on a big scale. The themes and ideas — involving identity, Mexican history, race, success, family and mortality ...

  4. Sep 5, 2022 · Daniel Giménez Cacho and Alejandro G. Iñárritu on the set of “Bardo”Photo by SeoJu Park The movie’s risk-taking is an implicit challenge to more conservative storytelling standards.

  5. Dec 27, 2022 · Film director Alejandro González Iñárritu recalls that the Spanish village of La Torre de Esteban Hambrán had no more than 60 houses in 1982. He and his friend Jaime San Bernardi, two Mexican kids, arrived there after boarding a cargo ship and crossing the Atlantic; after they got there, they ended up picking grapes in town, an hour away from Madrid.

  6. Alejandro González Iñárritu is a Mexican film director, producer, and screenwriter. He is best known for his work on the films Amores perros (2000), 21 Grams (2003), Babel (2006), Biutiful (2010), Birdman or (The Unexpected Virtue of Ignorance) (2014), and The Revenant (2015). Iñárritu’s work has been recognized with several awards and ...

  7. Academy Award-winning director, writer, and producer Alejandro G. Iñárritu, the first Latin-American filmmaker to head the Jury of the Festival de Cannes, is one of the most acclaimed filmmakers working today. He made his feature directorial debut at the Cannes Semaine de la Critique in 2000 and was nominated for a F

  1. People also search for