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Andrea Solari (also Solario) (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo , but more confusingly as Andrea del Bartolo [1] a name shared with two other Italian painters, the 14th-century Siennese Andrea di Bartolo , and the 15th-century Florentine Andrea di Bartolo .
Apr 9, 2024 · Andrea Solari (born 1465, Milan—died 1524, Milan) was a Renaissance painter of the Milanese school, one of the most important followers of Leonardo da Vinci. Solari received his early training from his brother Cristoforo, a distinguished sculptor and architect. He probably accompanied his brother to Venice, where he seems to have been ...
- The Editors of Encyclopaedia Britannica
Jan 4, 2024 · Tom Gurney BSc (Hons) is an art history expert with over 20 years experience. Published on June 19, 2020 / Updated on January 4, 2024. Email: tomgurney1@gmail.com / Phone: +44 7429 011000. Andrea Solari is a famous painter from the Italian Renaissance, starring during both the 15th and 16th centuries. He was a product of the Milan School, and ...
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Andrea Solari (also Solario) (1460–1524) was an Italian Renaissance painter of the Milanese school. He was initially named Andre del Gobbo, but more confusingly as Andrea del Bartolo a name shared with two other Italian painters, the 14th Century Siennese Andrea di Bartolo, and the 15th Century Florentine Andrea di Bartolo.
- Italian
- Milan, Italy
Andrea’s Salome draws stylistic inspiration from several sources. It is worth emphasizing again Andrea’s proximity to sculpture and sculptural practices through his family. Archival evidence shows that, while in Milan, Andrea operated out of the Solari workshop near San Babila, where he appears to have been the only painter.
Andrea Solari's last work was an altarpiece representing The Assumption of the Virgin, left unfinished at his death and completed by Bernardino Campi about 1576. Art Movement: Renaissance Art. Artists Influencing Andrea Solari: Cristoforo Solari, Antonello da Messina, Leonardo Da Vinci. He Traveled To France.
Andrea Solario. Milan, 1987, pp. 17, 238, 267 nn. 67–69, 71, pp. 284–86, 288–89, no. 71, fig. 201 (color), notes that it is not known for where the picture was made nor whether it was an independent work or part of a larger complex; concurs with Zeri [see Ref. Zeri and Gardner 1986] that it is a very late work, close to the Assumption of ...
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