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  1. Andrew Weisblum

    Andrew Weisblum

    American film and visual effects editor

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  1. Andrew Weisblum is an American film and visual effects editor. He has collaborated frequently with directors Darren Aronofsky and Wes Anderson . Weisblum was nominated for two American Cinema Editors Eddie Awards for Best Edited Animated Feature Film, for his work on Fantastic Mr. Fox (2009) and Isle of Dogs (2018); and two Academy Awards for ...

    • November 7, 1971 (age 51)
    • American
  2. Andrew Weisblum. Editor. Editorial Department. Visual Effects. IMDbPro Starmeter See rank. Andrew Weisblum is known for Black Swan (2010), The French Dispatch (2021) and tick, tick... BOOM! (2021). More at IMDbPro. Contact info.

    • Editor, Editorial Department, Visual Effects
    • Andrew Weisblum
  3. Feb 27, 2013 · For editor Andrew Weisblum, that ideal is well on the way to becoming a reality — twice over. Since 2007, Weisblum has cut all of both Wes Anderson’s and Darren Aronofsky’s feature films, ranging in style from the witty charm of Fantastic Mr. Fox to the demented psychodrama of Black Swan (for which Weisblum was Oscar nominated). Kicking ...

  4. Nov 22, 2021 · Fieldston alumni Andrew Weisblum ‘90 is an Academy Award nominated professional film editor, who has cultivated such a relationship himself, two-fold, working predominantly with directors Darren Aronofksy and Wes Anderson since 2007. Weisblum started working with Aronofsky as the visual effects editor on The Fountain (2006) and has since ...

  5. Nov 3, 2021 · Art of the Cut: Wes Anderson’s Latest Tableau, “The French Dispatch”. Today, we’re speaking with Andrew Weisblum, ACE, about the Wes Anderson film, The French Dispatch. I last spoke with Andrew when he edited Alice Through the Looking Glass. Andrew’s filmography is incredibly diverse; The Darjeeling Ltd.,

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  6. Mar 3, 2022 · Andrew Weisblum: Well, musicals have certain grammatical traits to them, that you kind of have to be aware of, but ultimately in terms of figuring out the shape and the arc of a film it’s not that different. You still want it to have pace and play dramatically and track the emotions of the characters and all those things that you search for ...

  7. Mar 26, 2022 · Andrew Weisblum: I spoke with Lin Manuel-Miranda in 2019 when he was crewing up for the film, and we talked about all things New York (as we both been born and bred there in the ’80s and ’90s ...

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