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Film composer Antônio Pinto is known for his varied orchestral scores, which sometimes incorporate Brazilian folk influences and acoustic guitar. Earning his first feature-film credits in 1995, he soon provided the music for such internationally acclaimed films as 1998's Central Station, 2001's Behind the Sun, and the related movies City of ...
Pages in category "Films scored by Antônio Pinto" The following 32 pages are in this category, out of 32 total. This list may not reflect recent changes. 0–9.
It features original tracks, covers, previously unreleased versions and demos that were included in the documentary and also features music by Brazilian composer Antônio Pinto. The Name of the Wave by British musician and producer William Orbit also makes an appearance on the soundtrack.
The composer Geoffrey Bush has said of Pinto's G minor violin sonata that it is "passionate in mood, cogent in argument, and full of splendid thematic invention." [1] Pinto's piano sonatas have been recorded on CD by Thomas Wakefield, Ian Hobson , Riko Fukuda, Míceál O'Rourke and others, while some of his vocal works have been recorded on the ...
Antônio Alves Pinto is a Brazilian film score composer. He is the son of the famous cartoonist Ziraldo and the brother of the film-maker Daniela Thomas. His work earned him a World Soundtrack Award and an ASCAP award, as well as a nomination in the Best Original Song category at the 65th Golden Globe Awards for writing the song "Despedida" with Shakira. He has collaborated with director Asif ...
During the concert, Manuela Pinto, the daughter of compositor Antônio Pinto, and artist Cecilia Silva Caraballo sang a version of "Despedida" accompanied by Colombian and Brazilian musicians who played traditional instruments including a marimba.
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. [16] Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life.
