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Charles Antoine Coysevox (French pronunciation: or ; 29 September 1640 – 10 October 1720), was a French sculptor in the Baroque and Louis XIV style, best known for his sculpture decorating the gardens and Palace of Versailles and his portrait busts.
Baroque art and architecture. Louis XIV style. Rococo. Antoine Coysevox (born Sept. 29, 1640, Lyon—died Oct. 10, 1720, Paris) was a French sculptor known for his decorative work at the palace of Versailles and for his portrait busts, which introduced a trend toward the sharpened depiction of individual character.
- The Editors of Encyclopaedia Britannica
Antoine Coysevox. Title. Sculptor to the King. Life at Court. From 1640 to 1720. Reign of Louis XIV. His traces at Versailles. His artworks. Originally from Lyon, Coysevox began to work on commissions for Versailles in 1678, when he decorated the Ambassadors’ Staircase, followed by the Hall of Mirrors and the Marble Courtyard.
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Antoine Coysevox ( [ kwazəvo] 1 ou [ kwazvo] 2) né à Lyon le 29 septembre 1640, et mort à Paris le 10 octobre 1720, est un sculpteur français. Biographie. Le nom de famille Quoyzeveau se trouve écrit d'une quantité de façons aussi différentes que Coëzevau, Coiseveau, etc..
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May 21, 2018 · The work of the French sculptor Antoine Coysevox (1640-1720) reflected a shift in official French taste from the relatively severe classicism of the 1660s and 1670s to the more expressive and Italianate baroque style and foreshadowed the rococo. Antoine Coysevox was born in Lyons on Sept. 29, 1640. He studied at the Royal Academy in Paris (1657 ...
Antoine Coysevox. Titre. Sculpteur du roi. Vie à la cour. De 1640 à 1720. Règne de Louis XIV. Ses traces à Versailles. Ses œuvres. Originaire de Lyon, il commence à travailler pour Versailles en 1678 pour la décoration de l’escalier des Ambassadeurs puis pour la galerie des Glaces et la cour de Marbre.
Due to a combination of family connections and raw talent, French sculptor Antoine Coysevox came to rapid prominence at the court of Louis XIV. Arriving in Paris in 1657, he became sculptor to the King in 1666, and achieved growing success in the 1680s as royal taste veered away from French classicism towards a looser, more Baroque style.
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