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The Duel (Russian: Дуэль, romanized: Duél') is a novella by Anton Chekhov originally published in 1891; it was adapted for the screen by Iosif Kheifits in 1973 (as The Bad Good Man, starring Vladimir Vysotsky) and by Dover Kosashvili in 2010 (as The Duel).
- Russia
- Дуэль
- Russian
- Anton Chekhov
Anton Chekhov's The Duel is a 2010 film directed by Dover Kosashvili. The film is an adaptation of an 1891 novella by Anton Chekhov, "The Duel". Set in a seaside resort in the Caucasus, the story centers on Laevsky (Andrew Scott), an aristocratic civil servant, and his mistress Nadya (Fiona Glascott), whom Laevsky is trying to abandon. The ...
- Angelo Milli
- Donald Rosenfeld, Mary Bing
- High Line Productions
Overview. The Duel is a novella by Russian writer Anton Chekhov. First published in 1891 in the newspaper New Time, The Duel exhibits Chekov’s mature prose in an important transition period in Russian literature and culture.
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Aug 18, 2010 · Based on a story by. Chekhov. What strikes you immediately about “Anton Chekhov’s The Duel” are the visuals. The cinematography of Paul Sarossy composes shots as an impressionist romance, the colors tastefully softened, the elements arranged in classical symmetry.
Sep 24, 2004 · You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Duel and Other Stories Author: Anton Chekhov Release Date: September 24, 2004 [eBook #13505] [Last updated: June 6, 2013] Language: English Character set encoding: ISO-8859-1 ***START OF ...
Apr 28, 2010 · Based on his eponymous 1891 novella, THE DUEL gives life to a classic Chekhovian tale: the young ne'er-do-well aristocrat vs. the arrogant man of science; the attraction of a manipulative ...
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- Drama
Apr 28, 2010 · Cast: Andrew Scott, Tobias Menzies, Fiona Glascott, Niall Buggy, Michelle Fairley Director: Dover Koshashvili Screenwriter: Mary Bing Distributor: High Line Pictures Running Time: 95 min Rating: NR Year: 2009 Buy: Video. If you can, please consider supporting Slant Magazine.
