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  1. Features. A FOUNDRY OF THE FIGURE: ANTONIN ARTAUD. By Stephen Barber. If there is a culture it is always alive and burns things up. – Antonin Artaud. OVER THE LAST THIRTY YEARS, the emotional and intellectual impact of the work of Antonin Artaud has been colossal.

  2. Antoine Marie Joseph Paul Artaud, better known as Antonin Artaud (pronounced [ɑ̃tɔnɛ̃ aʁto]; 4 September 1896 – 4 March 1948), was a French artist who is widely recognized as a major figure of the European avant-garde. He worked across a variety of media, but is best known for his writings, as well as his work in the theatre and cinema.

  3. www.encyclopedia.com › french-literature-biographies › antonin-artaudAntonin Artaud | Encyclopedia.com

    May 18, 2018 · Antonin Artaud (1896-1948) was one of the 20th century's most important theoreticians of the drama. He developed the theory of the Theater of Cruelty, which has influenced playwrights from Beckett to Genet, from Albee to Gelber.

  4. Quick Reference. (1896–1948) French actor, director, and drama theoretician, who originated the theory of the Theatre of Cruelty. Artaud was born in Marseilles and began his career as an actor. He became interested in surrealism and symbolist drama, contribuing to Revolution Surréaliste and Nouvelle Revue Français, and with fellow ...

  5. Antoine Marie Joseph Artaud, better known as Antonin Artaud (September 4, 1896 - March 4, 1948) was a French playwright, poet, actor, and director. Antonin is a diminutive form of Antoine (little Anthony), and was among a long list of names which Artaud went by throughout his life.

  6. Theatre of Cruelty, project for an experimental theatre that was proposed by the French poet, actor, and theorist Antonin Artaud and that became a major influence on avant-garde 20th-century theatre. Artaud, influenced by Symbolism and Surrealism, along with Roger Vitrac and Robert Aron founded the.

  7. Biography. by Pericles Lewis. Antonin Artaud (1896-1948) was in fact the author of only a few plays, but he exerted a great influence on theater after the second world through his theoretical writings, which took up a position sharing some intellectual concerns with Bertolt Brecht but proposing a “theater of cruelty” that sharply contrasted ...

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