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  1. Antonio Pietrangeli

    Antonio Pietrangeli

    Italian film director and screenwriter

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  1. Gaeta, Lazio, Italy. Occupations. Film director. screenwriter. Years active. 1941–1968. Antonio Pietrangeli (19 January 1919 – 12 July 1968) was an Italian film director and screenwriter. He was a major practitioner of the commedia all'italiana genre.

  2. Antonio Pietrangeli was born on 19 January 1919 in Rome, Lazio, Italy. He was a writer and director, known for I Knew Her Well (1965), The Visit (1963) and March's Child (1958). He was married to Margherita Ferroni. He died on 12 July 1968 in Gaeta, Lazio, Italy.

    • January 1, 1
    • Rome, Lazio, Italy
    • January 1, 1
    • Gaeta, Lazio, Italy
  3. Dec 3, 2015 · Dec 3–18, 2015. MoMA. Film series. Antonio Pietrangelis accidental death at the age of 49, as he was preparing a shot for the film Come, quando, perché?, robbed the Italian cinema of a major talent in his prime.

  4. ANTONIO PIETRANGELI, THE AUTHOR AND THE ACTRESS. One of the founding fathers of neorealism in the postwar period in Italy, Antonio Pietrangeli went on to focus his lens upon the female subject.

  5. Antonio Pietrangeli was born on January 19, 1919 in Rome, Lazio, Italy. He was a writer and director, known for I Knew Her Well (1965), The Visit (1963) and March's Child (1958). He was married to Margherita Ferroni. He died on July 12, 1968 in Gaeta, Lazio, Italy.

    • January 19, 1919
    • July 12, 1968
  6. May 6, 2020 · Introduction: Antonio Pietrangeli, A Brief History. Published online by Cambridge University Press: 06 May 2020. Emma Katherine Van Ness. Chapter. Get access. Cite. Summary. The Director of Women but Never a Feminist. It became obvious to me that men don't live through female characters. — Meryl Streep in an NPR interview with Terry Gross.

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  8. This study of feminism, gender and film theory in Antonio Pietrangeli's films has intended to shed light on the importance of considering the director as a unique filmmaker whose woman-and couple-centric films have been misunderstood or marginalized because of their radical difference.

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