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    • French-Belgian stage and film actor

      • Arieh Worthalter (born 25 March 1985) is a French-Belgian stage and film actor. He studied at the Institut Supérieur des Arts (INSAS) in Brussels and began working in theatre. His film credits include Les Anarchistes (2015), Marie Curie: The Courage of Knowledge (2016), Eternity (2016), Bastille Day (2016), and Razzia (2017).
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  1. Arieh Worthalter (born 25 March 1985) is a French-Belgian stage and film actor. He studied at the Institut Supérieur des Arts (INSAS) in Brussels and began working in theatre. [1] His film credits include Les Anarchistes (2015), Marie Curie: The Courage of Knowledge (2016), Eternity (2016), Bastille Day (2016), and Razzia (2017).

    • 2007–present
    • 25 March 1985 (age 38), Paris, France
  2. Arieh Worthalter, né le 25 mars 1985 à Paris, est un acteur franco-belge. Il obtient trois Magritte du meilleur acteur dans un second rôle, en 2019 pour Girl de Lukas Dhont, en 2020 pour Duelles d'Olivier Masset-Depasse et en 2024 pour Rien à perdre de Delphine Deloget.

  3. Feb 23, 2024 · In other acting categories, Arieh Worthalter won best actor for his starring role in Cédric Kahn’s courtroom drama The Goldman Case, and Adèle Exarchopoulos won for best supporting actress for...

  4. 2 Photos. Arieh Worthalter was born on 25 March 1985 in Paris, France. He is an actor, known for The Goldman Case (2023), The Take (2016) and Girl (2018). More at IMDbPro.

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    • Paris, France
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  5. May 17, 2023 · The Goldman Case. The Bottom Line Riveting and politically relevant. Venue: Cannes Film Festival (Directors’ Fortnight) Cast: Arieh Worthalter, Arthur Harari, Stéphan Guérin-Tillié, Nicolas...

  6. Mar 10, 2024 · Performing-wise, Arieh Worthalter (feature image, top) became the first actor to be awarded twice at the same Magritte du Cinéma ceremony (as Best Actor in a Leading Role, Best Actor in a Supporting Role), while actress Lubna Azabal won her fourth Magritte and third one as Best Actress.

  7. May 17, 2023 · Distributors may have to rely on such conventions to sell the film outside France, where public awareness of Goldman’s name and case is rather more limited — and now sure to be defined, for whoever...

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