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  1. en.wikipedia.org › wiki › Barry_MendelBarry Mendel - Wikipedia

    Barry Mendel (born 1963) is an American film producer. Mendel first produced Wes Anderson ’s Rushmore starring Jason Schwartzman and Bill Murray, which won two Film Independent Spirit Awards for Best Director and Best Supporting Actor. [1] [2] This was followed by The Sixth Sense, directed by M. Night Shyamalan, which was nominated for six ...

  2. www.imdb.com › name › nm0578814Barry Mendel - IMDb

    Barry Mendel. Producer: The Sixth Sense. Barry Mendel was born in 1963. He is known for The Sixth Sense (1999), Munich (2005) and The King of Staten Island (2020).

    • January 1, 1
    • Barry Mendel
    • Producer, Actor
  3. Barry Mendel is a film producer who worked with some of the most successful independent filmmakers in Hollywood. His first film as a producer was the quirky Wes Anderson comedy "Rushmore" in 1998.

    Tomatometer®
    Audience Score
    Title
    Credit
    21%
    30%
    Executive Producer
    76%
    83%
    Producer
    82%
    74%
    Producer
    98%
    88%
    Producer
  4. Mendel speaks passionately about the movies that changed him, as though they helped chart the course of his career. One of them was Apocalypse Now. “When I was 15, there was this movie coming out and there was a lot of controversy around it,” Mendel recalled. “It'd been delayed by a year. It had gotten massively over budget. It was a ...

  5. Barry Mendel is known as an Producer, Actor, and Executive Producer. Some of his work includes The Sixth Sense, Unbreakable, The Royal Tenenbaums, Bridesmaids, The Happening, Serenity, The Life Aquatic with Steve Zissou, and Trainwreck.

  6. Barry Mendel. Producer: The Sixth Sense. Barry Mendel was born in 1963. He is known for The Sixth Sense (1999), Munich (2005) and The King of Staten Island (2020).

  7. Aug 6, 2019 · “The confidence in him as a director came from reading his screenplay because it was written really directorially,” Barry Mendel, who was a producer on The Sixth Sense alongside Kathleen Kennedy and Frank Marshall, tells us. “Every sound, every image and every motion was really felt in the writing and so the argument as to why he should ...

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