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  1. Bejoy Nambiar

    Bejoy Nambiar

    Indian film director

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  1. Bejoy Nambiar (born 12 April 1979) is an Indian film director, and screenwriter known for his work in Bollywood. He is mostly known for his critically acclaimed short films, Rahu and Reflections, starring Mohanlal. He was the winner of Sony PIX Gateway to Hollywood, as the best director judged by Ashok Amritraj, Rajat Kapoor and Anurag Basu.

    • 12 April 1979 (age 44), Mumbai, India
    • Director, story writer, screenwriter
    • Indian
  2. www.imdb.com › name › nm2349060Bejoy Nambiar - IMDb

    Bejoy Nambiar is an Indian filmmaker who has worked on movies and TV shows such as Taish, Solo, Shaitan, and Navarasa. He was born in Kochi, Kerala, and was married to actress Juhi Babbar and model Sheetal Menon.

    • January 1, 1
    • 9 min
    • Kochi, Kerala, India
  3. Feb 29, 2024 · Director Bejoy Nambiar talks about his upcoming bilingual ‘Dange’ and ’Por’, the need to stay updated about every film industry, the business behind multi-starrers, and more. February 29 ...

    • Gopinath Rajendran
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  5. Mar 1, 2024 · Director: Bejoy Nambiar. Cast: Arjun Das, Kalidas Jayaram, Sanchana Natarajan, TJ Bhanu. Storyline: A personal rivalry between two students snowballs into something bigger that puts a lot more...

    • 3 min
    • Gopinath Rajendran
  6. 1.7K. 74K views 3 years ago #DulquerSalmaan #BejoyNambiar #ManiRatnam. Director #BejoyNambiar talks to Baradwaj Rangan about the sudden interest in Malayalam cinema, old vs new filmmakers,...

    • 75.1K
    • Film Companion South
  7. Get up close and personal with acclaimed filmmaker Bejoy Nambiar as he shares insights on his latest watch, dream destinations for shooting, the toughest aspects of filmmaking, and much more in...

    • 3 min
    • 1
    • Filmy
  8. Sep 15, 2023 · Kaala is a streaming show that zips through timelines and locations, with a lot of style but little substance. The director, a protege of Mani Ratnam, uses music, cinematography, and editing to create thrilling moments, but often at the expense of coherence and logic.

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