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Bernard Herrmann (born Maximillian Herman; June 29, 1911 – December 24, 1975) was an American composer and conductor best known for his work in composing for films. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers.
May 1, 2024 · Bernard Herrmann (born June 29, 1911, New York, N.Y., U.S.—died Dec. 24, 1975, Los Angeles, Calif.) was an American composer and conductor, widely recognized for his film scores. His music for Psycho (1960) has remained a paragon of suspense-film sound tracks.
Bernard Herrmann (1911-1975) Music Department. Composer. Actor. IMDbPro Starmeter See rank. The man behind the low woodwinds that open Citizen Kane (1941), the shrieking violins of Psycho (1960), and the plaintive saxophone of Taxi Driver (1976) was one of the most original and distinctive composers ever to work in film.
May 18, 2018 · Bernard Herrmann (1911-1975) is perhaps the greatest composer of motion picture music in the twentieth century. He is best remembered for his dark, suspenseful, innovative musical scores, written for such celebrated film directors as Alfred Hitchcock , Orson Welles , Francois Truffaut , and Martin Scorsese .
1 day ago · Digitizing Bernard Herrmann’s Recordings with the CBS Symphony The UCSB Library’s Special Research Collections will preserve, digitize, and make accessible the groundbreaking radio broadcasts of the CBS Symphony conducted by Bernard Herrmann in the 1930s and 1940s. 112th Birthday Anniversary Bernard Herrmann was born on 29th June 1911 in ...
America has produced in the twentieth century many outstanding symphonic composers, but only one important music-dramatist: Bernard Herrmann. Whether he wrote music for a cantata, Moby Dick, or an opera, Wuthering Heights, or for any of his numerous films, a strong, explosive, individual and compelling dramatist shines through all of them.
About. Bernard Herrmann (1911-1975) From his first film, "Citizen Kane", to his last, "Taxi Driver", Herrmann was a master at evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film.
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