Lamberto Maggiorani
Antonio Ricci
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Bicycle Thieves (Italian: Ladri di biciclette), also known as The Bicycle Thief, is a 1948 Italian neorealist drama film directed by Vittorio De Sica. It follows the story of a poor father searching in post-World War II Rome for his stolen bicycle, without which he will lose the job which was to be the salvation of his young family.
- 24 November 1948 (Italy)
- Giuseppe Amato, Vittorio De Sica
Bicycle Thieves: Directed by Vittorio De Sica. With Lamberto Maggiorani, Enzo Staiola, Lianella Carell, Elena Altieri. In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work. He and his son set out to find it.
- (171K)
- Drama
- Vittorio De Sica
- 1949-12-13
His wife, Maria (Lianella Carell), sells the family's bed linens to retrieve Antonio's bicycle from the pawnshop so he can take the job. However, disaster strikes when Antonio's bicycle is...
- (2.2K)
- Lamberto Maggiorani
- Vittorio De Sica
- Drama
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Mar 19, 1999 · Roger Ebert March 19, 1999. Tweet. Now streaming on: Powered by JustWatch. "The Bicycle Thief" is so well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realize that it is still alive and has strength and freshness.
In post-war Italy, a working-class man's bicycle is stolen, endangering his efforts to find work. He and his son set out to find it. Antonio Ricci, an unemployed man in the depressed post-WWII economy of Italy, finally gets a job hanging up posters, but he needs a bicycle.
Hailed around the world as one of the greatest movies ever made, the Academy Award-winning Bicycle Thieves, directed by Vittorio De Sica, defined an era in cinema. In poverty-stricken postwar Rome, a man is on his first day of a new job that offers hope of salvation for his desperate family when his bicycle, which he needs for work, is stolen.
Aug 13, 2020 · Aug. 13, 2020. “People should see it — and they should care.” Those are the concluding words to one of the more passionate raves in the annals of New York Times film criticism: Bosley Crowther’s...
