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Xie Wanying (simplified Chinese: 谢婉莹; traditional Chinese: 謝婉瑩; October 5, 1900 – February 28, 1999), [1] better known by her pen name Bing Xin (Chinese: 冰心) or Xie Bingxin, was one of the most prolific Chinese women writers of the 20th century. Many of her works were written for young readers. She was the chairperson of the ...
Bingxin (born October 5, 1900, Minhou, Fujian province, China—died February 28, 1999, Beijing) was a Chinese writer of gentle, melancholy poems, stories, and essays that enjoyed great popularity. Bingxin studied the Chinese classics and began writing traditional Chinese stories as a child, but her conversion to Christianity and her attendance ...
- The Editors of Encyclopaedia Britannica
Bing Xin (1926) Hsieh Wan Ying, better known by her pen name Bing Xin, was a member of the Class of 1926 at Wellesley College. She was born in the Fuzhou, Fujian province of China and moved to Shanghai when she was seven months old and Yantai, Shandong when she was four. She attended Yenching University in 1923, earning a bachelor’s degree ...
Oct 1, 2023 · Bing Xin Footnote 1 is undoubtedly one of the most popular female writers of the May Fourth period. This is probably because her image in the literary world was as fresh, gentle, and crystal clear as the images conjured by the titles of her poetry collections—A Myriad of Stars (Fanxing), Spring Water (Chunshui), Footnote 2 and by her pen name itself, Ice Heart (verbatim in Chinese).
Aug 20, 2022 · As feminist translation theory is a theoretical genre that sprung up with the second wave of Western post-WWII women’s movements in the mid-to-late 1960s (Le Bervet, 2019), and as Bing Xin ...
authority. Second, Bing Xin enables the contemporary reader, but espe-cially the woman reader, to envision a broader political struggle that lies beyond the horizon of gender disputes. Hence, without ceasing to be a feminist, Bing Xin offers us a view of Chinese modernity that reflects the social and political realities of twentieth-century China.
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In 1914 Bing Xin went to Beijing Beiman Girls’ School, a missionary school where she was exposed to the Bible and Christianity. This exposure contributed to her philosophy of love, a major theme expressed in her lyrical essays during the early period of her career. Bing Xin mentioned more than once: “It’s the thunder of the May Fourth
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