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  1. James Newton Howard (born June 9, 1951) is an American film composer, music producer and keyboardist. He has scored over 100 films and is the recipient of a Grammy Award, an Emmy Award, and nine nominations for Academy Awards. His film scores include Pretty Woman (1990), The Prince of Tides (1991), The Fugitive (1993), Waterworld (1995), Space ...

    • Keyboards
    • 1975–present
    • Composer, music producer, musician, arranger
  2. Black & White is the eighth studio album by the Pointer Sisters, released in 1981 on the Planet label. ... James Newton Howard – keyboards (1), synthesizers (1, 3, 8)

    • June 12, 1981
    • Planet
    • Studio 55, (Los Angeles, California), Celebration Recording, (New York City, New York)
  3. About – JAMES NEWTON HOWARD. JAMES NEWTON HOWARD is one of the film industry’s most versatile and honored composers, with a career spanning over thirty years and encompassing more than 140 film and television projects. He is an 9-time Oscar nominee, and Emmy and Grammy winner. Howard has also been honored with ASCAP’s prestigious Henry ...

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  4. ScoreCues presents a collection of essential works composed by James Newton Howard. Arranged by release/composition year. Subscribe to our YouTube Channel fo...

  5. One of the most versatile and respected composers currently working in film, James Newton Howard’s career spans over thirty years. He has composed music for over 120 films, including the Academy Award-nominated scores for Defiance, Michael Clayton, The Village, The Fugitive, The Prince of Tides, and My Best Friend’s Wedding, and Academy Award-nominated songs for Junior and One Fine Day.

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  7. James grew up by the beach in Los Angeles, but you won’t mistake his orchestrations for breezy summertime fare. He writes prolifically, bringing a new depth, perspective, and incisive character to the silver-screen tales of fantasy, action, and romance gone wrong. With a unique ability to orchestrate anything from non-traditional textures to ...

  8. Jan 25, 2021 · James Newton Howard composed the score for the film in 2020, in the thick of the pandemic and the election and the Black Lives Matter movement — so he didn’t have to look too far for inspiration.

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