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  1. Black or White

    Black or White

    PG-132015 · Drama · 2h 1m
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  2. Jan 30, 2015 · Reviews. Black or White. Matt Zoller Seitz January 30, 2015. Tweet. Now streaming on: Powered by JustWatch. "Black or White," a domestic drama about a custody battle over a mixed-race child, is the kind of movie you root for, because it's clearly coming from a sincere and honest place.

  3. Jan 30, 2015 · Black or White has more on its mind than your average family drama, but the film's approach to its thought-provoking themes too often lives down to its title. Read Critics Reviews

    • (367)
    • Mike Binder
    • PG-13
    • Kevin Costner
    • Black or White Reviews1
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  4. Jan 30, 2015 · - TheWrap. ‘Black or WhiteReviews: Is the Whole Movie as Good as Kevin Costner’s Performance? The majority of critics praised the performances, but panned the writing. Greg Gilman....

  5. Black or White Reviews. All Critics. Top Critics. All Audience. Verified Audience. John Serba Decider. It has something to say about, um, stuff and things, but doesn't know quite what that...

  6. Jan 29, 2015 · The Times critic Stephen Holden reviews “Black or White.” Tracy Bennett/Relativity Media, via Associated Press. Black or White. Directed by Mike Binder. Drama. PG-13. 2h 1m. By...

    • Mike Binder
    • Stephen Holden
    • 121 min
  7. Jan 30, 2015 · It's far from ground-breaking in its social statements, but Black or White is still a solid comedy/drama buoyed by good performances all around. Black or White tell the story of Elliot Anderson (Kevin Costner), a successful attorney whose world gets turned upside down after his wife (Jennifer Ehle) is killed during a car crash.

  8. www.pluggedin.com › movie-reviews › black-or-whiteBlack or White - Plugged In

    Jan 30, 2015 · Black or White is a provocative film that digs uncomfortably, intimately and at times profanely into issues of racial tensions within families—so much so that director Mike Binder had a hard time finding a studio willing to produce it. But Kevin Costner, who plays Elliot Anderson, thought it was important enough of a film to help bankroll it.

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