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  1. Boxcar Bertha

    Boxcar Bertha

    R1972 · Crime drama · 1h 29m
  2. Boxcar Bertha is a 1972 American romantic crime drama film directed by Martin Scorsese and produced by Roger Corman, from a screenplay by Joyce H. Corrington and John William Corrington. Made on a low budget , the film is a loose adaptation of Sister of the Road , a pseudo-autobiographical account of the fictional character Bertha Thompson. [3]

  3. Jun 14, 1972 · A union leader and a young woman become criminals to fight the corrupt railroad establishment during the Great Depression. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more for this film directed by Martin Scorsese.

    • (10K)
    • Martin Scorsese
    • R
    • Crime, Drama, Romance
  4. Boxcar Bertha is a 1972 film directed by Martin Scorsese, loosely based on the life of a Depression-era criminal. It follows the adventures of Bertha (Barbara Hershey) and Big Bill (David Carradine), who rob trains and fight anti-union forces.

    • (208)
    • Martin Scorsese
    • R
    • Barbara Hershey
  5. A movie based on the life of a Depression-era outlaw, directed by Martin Scorsese and starring Barbara Hershey and David Carradine. Ebert praises Scorsese's mood and atmosphere, but criticizes the film's violence and plot.

  6. A film based on the fictional autobiography of Bertha Thompson, a woman labor organizer in the 1930s American south. She and her lover, Big Bill Shelley, fight the corrupt railroad establishment and become criminals to survive.

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  8. Feb 12, 2008 · Based on the autobiography of a real-life hobo, Boxcar Bertha tells the story of a union leader and his girlfriend who plot to sabotage the railroad. The film features David Carradine, Barbara Hershey, and John Carradine in the cast.

  9. www.screenslate.com › articles › boxcar-berthaBoxcar Bertha | Screen Slate

    Produced by Roger Corman and loosely based on Ben Reitman’s Sister of the Road, Martin Scorsese’s Boxcar Bertha (1972) is his take on a traditional Western. There are bandits and brothels, but there are also Yankees and biblical metaphors. It traffics in a loose genre that I’d call ‘70s-does-30s, alongside films like The Sting (1973) and The Last Tycoon (1976). Like the interwar period ...

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