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  1. Although the poet imagines Brunetto in hell, Dante-character and Brunetto show great affection and respect for one another during their encounter in Inferno 15. Brunetto (c. 1220 - 1294) was a prominent guelph who spent many years living in exile in Spain and France--where he composed his encyclopedic work, Trésor ("Treasure": Inf. 15.119-20 ...

  2. Dante’s Teacher: Brunetto Latini, Trésor. Black and white facsimile of Ashburnham 125 c.016r. Biblioteca Medicea-Laurenziana. The parallels between Dante’s Comedy and the Tesoretto are quite obvious, but Dante also would have been familiar with Brunetto Latini’s Trésor. Latini wrote Li Livres dou Trésor in the mid 1260s in French ...

  3. Em 1287, Brunetto Latini foi elevado à dignidade de Priore. Estes juízes, em número de doze, eram previstos pela Constituição de 1282. Sua palavra era freqüentemente ouvida nos Conselhos Gerais da República. Era um dos oradores mais mais frequentemente designados. Conservou-se lúcido, mesmo em idade avançada, e morreu em 1294 (conforme ...

  4. [20] Brunetto Latini was a serious intellectual, who while in exile wrote the Tresor (Italian Tesoro, English Treasure). Important as an early vernacular encyclopedia, and translated into Italian upon Brunetto’s repatriation, the Tresor includes a translated digest of Aristotle’s Nicomachean Ethics .

  5. Brunetto Latini ( Florencia, hacia 1220 – 1294 o 1295) fue notario, filósofo, y canciller de la república florentina . Brunetto Latini es un personaje clave del pensamiento político humanista de la Edad Media central. Se desarrolla en un medio intelectual laico con cuyo crecimiento se alcanza la consolidación de una esfera política ...

  6. Strubel, Armand, « Brunetto Latini: la prudence, mère de toutes les vertus », La vertu de prudence entre Moyen Âge et âge classique, éd. Evelyne Berriot-Salvadore, Catherine Pascal, François Roudaut et Trung Tran, Paris, Classiques Garnier (Rencontres, 244; Colloques, congrès et conférences sur la Renaissance européenne, 71), 2012, p ...

  7. Introduction. Scholarship on the 13th-century Florentine Brunetto Latino, usually cited by modern writers as “Brunetto Latini,” has been impeded by Dante’s assignment of him to Inferno, by the Victorian editions of the Tesoro wrongly ascribing the work to Bono Giamboni on the basis of a late Venetian manuscript, Carrer 1839, (cited under Il Tesoro), etc., and by Imbriani 1878 (cited ...

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