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  1. C.C. DeVille (born Bruce Anthony Johannesson; May 14, 1962) is an American guitarist who is a member of rock band Poison. The band has sold more than 50 million albums worldwide, including 15 million in the United States. In 1998 he formed a band called Samantha 7. DeVille has acted in both reality television and in scripted television drama shows.

  2. Apr 28, 2022 · The Untold Truth Of C.C. DeVille. Kevin Winter/Getty Images. By Jesse Gormley / Updated: April 28, 2022 10:04 am EST. While the tales of the excesses that were the late '80s glam metal scene have become the stuff of legend, one of the most troubling stories to stem from the era is that of C.C. Deville.

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  3. Jun 3, 2022 · June 3, 2022. C.C. DeVille is sporting a shaggy new look. The 60-year-old POISON guitarist, who is preparing to hit the road later this month with his bandmates as part "The Stadium Tour",...

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  5. May 14, 2018 · By Guitar World Staff. published 14 May 2018. Poison made their mark by polishing glam rock down to radio-friendly Hollywood pop-metal. As the band's guitarist, C.C. DeVille, will tell you, it’s pretty hard to live down a past like that—he’s certainly endured a lot of criticism since the Nineties, and been the brunt of one too many jokes ...

  6. Nov 10, 2023 · By Daniel Wanburg November 10, 2023. • CC DeVille is an American guitarist, born in 1962 in Brooklyn, NY. • He is best known as a member of the rock 'n' roll band Poison, which has sold over 50 million copies worldwide. • He was five years old when he started playing the guitar, and studied music theory at New York University before ...

  7. May 23, 2006 · May 23, 2006, 17 years ago. deville news rock hard. Classic Rock Revisited founder Jeb Wright recently conducted an interview with POISON's C.C. Deville to discuss the guitarist's journey to becoming clean and sober. The following is a brief excerpt from the in-depth discussion:

  8. Jan 17, 2024 · We know DeVille, as a glam metal guitarist, is recognized for his explosive energy, flamboyant stage presence and diverse musicality. Yet behind these broad strokes lie the finer nuances of DeVille’s approach. With a keen understanding of musicology underpinning my insights, I’ve observed that DeVille doesn’t just play; he communicates.

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