Catherine of Austria (Portuguese: Catarina; 14 January 1507 – 12 February 1578) was Queen of Portugal as wife of King John III, and regent during the minority of her grandson, King Sebastian, from 1557 until 1562.
In October 1549, Catherine was escorted by her elder brother Ferdinand II, Archduke of Austria from Innsbruck to Mantua, with a dowry of 100,000 Rhine florins. The marriage lasted only four months as Francesco drowned in Lake Como on 21 February 1550, and a widowed Catherine returned home to Innsbruck.
Catherine of Austria, Wife of King John III of Portugal 1552 - 1553.
Apr 03, 2017 · Catherine of Austria was born on 14 January 1507 as the daughter of Joanna of Castile and Philip I of Castile, who had sadly passed away in September 1506. Joanna was forced into confinement by her father, and Catherine was the only one of her children to be with her in her confinement.
Over the past year Catherine of Austria, Queen of Poland has had the most page views in the Polish wikipedia edition with 23,780 views, followed by English (13,763) and Italian (4,017). In terms of yearly growth of page views the top 3 wikpedia editions are Asturian (179.00%), Georgian (102.50%), and Breton (48.86%)
About Catherine of Austria, Lady of Coucy http://fmg.ac/Projects/MedLands/AUSTRIA.htm#Katharinadied1349 LEOPOLD (4 Aug 1290-Strasbourg 28 Feb 1326, bur Königsfelden).
Catherine of Austria also known as Katharina von Habsburg (9 February 1320 – 28 September 1349) was the oldest daughter of Leopold I, Duke of Austria and his wife Catherine of Savoy. She was a member of the House of Habsburg by birth and married the Lord of Coucy. Early life and family
Jan 16, 2016 · Catherine of Austria (1507-1578). She was the last daughter of Queen Joanna I of Castile and King Philip I the Handsome. Catherine was born in Torquemada after her father’s death and named in honor of her maternal aunt, Katherine of Aragon, Queen consort of England.
In the Tradition of Princely Collections: Curiosities and Exotica in the Kunstkammer of Catherine of Austria Annemarie Jordan Gschwend E CABINET OF cuRiosixiES became a widespread feature in the sixteenth Century (Kunst-and Wunderkammern generally designate collections north of the Alps from chambers of art and marvels from Italian studioliJ) when both princes and humanists developed the taste for collecting.
According to Annemarie Jordan, slaves in the Lisbon court of Catherine of Austria functioned as visual symbols of royal power, serving as representations of the frontiers of imperial rule.
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