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  1. Celia D. Costas is a film producer. She won two Emmy Awards for the HBO miniseries Angels in America and the television film Warm Springs and was nominated for a third Emmy Award for the television film For Love or Country: The Arturo Sandoval Story. She has also received a Producers Guild of America Award for Angels in America.

    Year
    Title
    Role
    2018
    Executive producer
    2016
    Executive producer [16] [17]
    2015
    Executive producer [2] [15]
    2014
    Executive producer [2] [14]
  2. Celia D. Costas. Producer. Production Manager. Location Management. IMDbPro Starmeter See rank. Celia D. Costas is known for Closer (2004), Meet Joe Black (1998) and A Quiet Place (2018). More at IMDbPro. Contact info. Agent info. Resume. Add to list. Won 2 Primetime Emmys. 3 wins & 4 nominations total. Photos. Known for. Closer. 7.2. Producer.

    • Celia D. Costas
  3. Celia D. Costas. Producer: Closer. Celia D. Costas is known for Closer (2004), A Quiet Place (2018) and Meet Joe Black (1998).

  4. Celia D. Costas is known as an Executive Producer, Unit Production Manager, Producer, Line Producer, Co-Producer, Production Manager, Thanks, and Assistant Unit Manager. Some of her work includes A Quiet Place, Sleepy Hollow, The Intern, The Girl on the Train, Meet Joe Black, Zoolander, Closer, and Extremely Loud & Incredibly Close.

  5. Celia Costas. Barry R. Feirstein Graduate School of Cinema Director’s Advisory Council. Celia Costas won her first Emmy Award as producer of one of the most acclaimed and awarded miniseries of all time, HBO’s Angels in America, directed by Mike Nichols. She worked again with Mr. Nichols as executive producer of the feature films Closer and ...

  6. Mar 18, 2020 · 5.56K subscribers. Subscribed. 10. 492 views 3 years ago. The Hellenic Film Society USA hosted Greek-American Hollywood producer Celia Costas for an interview at the Museum of the Moving Image...

    • Mar 18, 2020
    • 492
    • Hellenic Film Society USA
  7. Celia D. Costas movie reviews & film summaries | Roger Ebert

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