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  1. Famous poet / Charles Baudelaire. ?-1867 • Ranked #133 in the top 500 poets. Baudelaire was an only child of François Baudelaire and his younger second wife whom he had married in 1819, Caroline Defayis. François had begun a career as a priest, but left the holy orders in 1793 to become a prosperous middle-ranking civil servant.

  2. This is the definitive edition of Les Fleurs du mal and contains most everything except the "condemned" poems which you can find in Les Épaves (scraps). Fleursdumal.org is dedicated to the French poet Charles Baudelaire (1821 - 1867), and in particular to Les Fleurs du mal (Flowers of Evil).

  3. www.biography.com › authors-writers › charles-baudelaireCharles Baudelaire - Biography

    Apr 2, 2014 · Charles Baudelaire was a French poet best known for his controversial volume of poems, Les Fleurs du mal (The Flowers of Evil). Updated: Apr 12, 2019. (1821-1867) Synopsis. Charles...

  4. Charles Baudelaire. French Poet, Art Critic, and Translator. Born: April 9, 1820 - Paris, France. Died: August 31, 1867 - Paris, France. Movements and Styles: Impressionism. , Neoclassicism. , Romanticism. , Modernism and Modern Art.

  5. Charles Baudelaire. 1821 –. 1867. Read poems by this poet. The son of Joseph-Francois Baudelaire and Caroline Archimbaut Dufays, Charles Baudelaire was born in Paris on April 9, 1821. Baudelaire’s father, who was thirty years older than his mother, died when the poet was six. Baudelaire was very close with his mother (much of what is known ...

  6. May 23, 2018 · Overview. Charles Baudelaire is one of the most compelling poets of the nineteenth century. While Baudelaire's contemporary Victor Hugo is generally acknowledged as the greatest of nineteenth-century French novelists, Baudelaire excels in his expression of modern themes within structures of technical artistry.

  7. of Charles Baudelaire. Baudelaires poetic masterpiece, the 1861 edition of Les Fleurs du mal, consists of 126 poems arranged in six sections of varying length. Baudelaire always insisted that the collection was not a “simple album” but had “a beginning and an end,” each poem revealing its full meaning only when read in relation to ...

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