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  2. Charles Harold Bernstein (born February 28, 1943) is an American composer of film and television scores. He is a Daytime Emmy Award winner, and a two-time Primetime Emmy Award nominee. Since 1995, he has been a member of the Board of Governors of the Academy of Motion Picture Arts and Sciences' Music Branch.

    • Charles Alden
    • 1969–present
    • Charles Harold Bernstein
    • Film score, television score
  3. Charles Bernstein is very active as a composer of film and TV scores. He has composed scores for over 100 motion pictures. When not writing music, he writes about music.

  4. Composer: A Nightmare on Elm Street. Talented, prolific and versatile film composer Charles Bernstein was born on February 28, 1943 in Minneapolis, Minnesota. He conducted his own orchestral music at age sixteen and studied composition with Vitorio Giannini and Vincent Persichetti at Juilliard.

    • January 1, 1
    • 1 min
    • Minneapolis, Minnesota, USA
  5. He has composed scores for over 130 motion pictures, including genre classics A Nightmare on Elm Street (the original), The Entity, Stephen King's Cujo, Dracula spoof Love At First Bite, and a wide variety of comedies, dramas and action films.

  6. Award winning composer Charles Bernstein conducted his first original orchestral compositions at the age of sixteen. His long career in film scoring can be heard in many popular film and television shows, including Quentin Tarantino’s Inglorious Bastards and Kill Bill, Vol. 1, and scores for genre classics, A Nightmare on Elm Street (the ...

  7. Talented, prolific and versatile film composer Charles Bernstein was born on February 28, 1943 in Minneapolis, Minnesota. He conducted his own orchestral music at age sixteen and studied composition with Vitorio Giannini and Vincent Persichetti at Juilliard.

  8. Oct 26, 2020 · In the latest episode of “Behind The Board,” Gibson TV sits down with “Nightmare On Elm Street” composer Charles Bernstein to discuss writing, recording and production of one of the most iconic and terrifying compositions in film history.

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