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  1. Charles Ferguson

    Charles Ferguson

    Film director, producer

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  1. Charles Ferguson (filmmaker) Charles Henry Ferguson (born March 24, 1955) [1] is an angel investor and strategic advisor to early stage technology startups and venture capital firms, especially in artificial intelligence. [2] He is also the founder and president of Representational Pictures, Inc. and American director and producer of four ...

    • Charles Henry Ferguson, March 24, 1955 (age 68), San Francisco, United States
    • cferguson.com
    • Film director, film producer, entrepreneur, writer, angel investor
  2. Charles Ferguson is a filmmaker and writer. He is the founder and president of Representational Pictures, and the director and producer of Inside Job, winner of the 2011 Academy Award for Best Documentary Feature, and of No End in Sight: The American Occupation of Iraq, which was an Academy Award nominee as well.

  3. Charles Ferguson. Producer: Inside Job. Charles Ferguson was born on 24 March 1955 in San Francisco, California, USA. He is a producer and director, known for Inside Job (2010), No End in Sight (2007) and Watergate (2018).

    • January 1, 1
    • 2 min
    • San Francisco, California, USA
  4. WATERGATE – Charles Ferguson. Watergate tells, for the first time, the entire story of the Watergate scandal, from the first troubling signs in Richard Nixon’s presidency to Nixon’s resignation and beyond. (Surprisingly, despite many excellent books and documentaries, the story of the Watergate scandal has never before been told in a ...

  5. Oct 1, 2010 · Mr. CHARLES FERGUSON (Filmmaker, "Inside Job"): By the time I decided to make the film, which was after the world came to the edge of collapse in September, 2008, by that time I already realized ...

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  7. Sep 30, 2019 · An interview with filmmaker Charles Ferguson, whose documentary “Watergate” re-examines the dramatic events surrounding the break-in at the Democratic National Committee headquarters at the ...

  8. Feb 11, 2019 · In the course of a mammoth, horribly absorbing four-hour film from Charles Ferguson we are immersed in a world of milky TV news footage, big lapels, bulbous combovers, dirty tricks, sweat, jowls ...

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