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  1. Charles Laughton

    Charles Laughton

    British-American actor and director

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  1. Charles Laughton ( / ˈlɔːtən /; [1] 1 July 1899 – 15 December 1962) was a British-American actor. He was trained in London at the Royal Academy of Dramatic Art and first appeared professionally on the stage in 1926. In 1927, he was cast in a play with his future wife Elsa Lanchester, with whom he lived and worked until his death.

  2. Actor. Writer. Producer. IMDbPro Starmeter See rank. Play trailer 4:45. Advise & Consent (1962) 20 Videos. 99+ Photos. Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively.

  3. 6 days ago · Charles Laughton, British actor and director who defied the Hollywood typecasting system to emerge as one of the most versatile performers of his generation. His movies included The Private Life of Henry VIII (1933), Mutiny on the Bounty (1935), The Hunchback of Notre Dame (1939), and Spartacus (1960).

  4. December 15, 1962 · Hollywood, Los Angeles, California, USA (gall bladder cancer) Height. 5′ 7½″ (1.72 m) Mini Bio. Charles Laughton was born in Scarborough, Yorkshire, England, to Eliza (Conlon) and Robert Laughton, hotel keepers of Irish and English descent, respectively.

  5. Jun 4, 2015 · June 4, 2015. There are actors who are so singular in their appearance, inventive in their mannerism and outsize in their eccentricities that they might be called creatures. Peter Lorre was one....

  6. From Wikipedia, the free encyclopedia. Charles Laughton (1 July 1899 – 15 December 1962) was an English-American stage and film actor, director, producer and screenwriter. Laughton was trained in London at the Royal Academy of Dramatic Art and first appeared professionally on the stage in 1926.

  7. 21 hours ago · Laughton approached the film as a veteran actor, theater director, and, yes, filmmaker. Often mistakenly cited as Laughton’s sole directorial effort, The Night of the Hunter was rather his sole and final solo directorial credit, his first having been The Man on the Eiffel Tower (Meredith, 1950), for which he went uncredited.

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