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  1. Chris Miller
    American animator, voice actor, director, screenwriter and storyboard artist

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  1. Christopher Matthew Miller (born January 20, 1968) is an American animator and voice actor employed by Paramount Animation and formerly DreamWorks Animation. He is best known for directing Shrek the Third and Puss in Boots (for which he received his first Academy Award nomination) and for voicing Kowalski the penguin in the Madagascar film series.

  2. www.imdb.com › name › nm1844237Chris Miller - IMDb

    Chris Miller is known for his work with DreamWorks Animation, directing Shrek the Third and Puss in Boots, and voicing Kowalski in Madagascar. He also worked as a story artist on Shrek 2 and Antz, and was nominated for an Oscar for The Croods.

    • January 1, 1
    • Actor, Animation Department, Director
    • Washington D.C. USA
    • Chris Miller
  3. Oct 14, 2021 · Learn how the duo met, started their career and created acclaimed animation projects such as "Spider-Man: Into the Spider-Verse" and "The Mitchells vs. the Machines". Read their interview with Variety and watch their Netflix special.

  4. Learn about the producer-director duo behind "Spider-Man: Into the Spider-Verse" and other successful films and TV shows. Find out their background, achievements, and upcoming projects.

  5. May 25, 2023 · The Oscar-winning producers of 'Into the Spider-Verse' talk about their sequel, which they call their 'Empire Strikes Back'. They reveal how they broke new ground in animation, world-building and storytelling with different Spider-Men and women.

    • Bill Desowitz
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  7. Chris Miller is an American animator, director, screenwriter, producer, and voice actor. He is known for his work on Shrek, Madagascar, Puss in Boots, and The Boss Baby, among other films and projects.

  8. Apr 6, 2022 · The Oscar-winning producers of "Spider-Man: Into the Spider-Verse" and "The Mitchells vs. the Machines" write a guest column for Variety, arguing for the recognition and respect of animation as a cinematic medium. They criticize the dismissive attitude of some studios and broadcasters towards animated films and suggest some possible solutions.

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