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  1. The cinema of Italy (Italian: cinema italiano, pronounced [ˈtʃiːnema itaˈljaːno]) comprises the films made within Italy or by Italian directors. Italy is widely considered one of the birthplaces of art cinema, and the stylistic aspect of Italian film has been one of the most important factors in the history of Italian film.

  2. In March 1896 the first movies arrived in Rome, then in Milan, in Naples in April, in June in Livorno and in August in Bergamo, Ravenna and Bologna. In Pisa, the oldest and still operating Italian movie theatre, The Cinema Lumiere, was built in 1899.

    • A Brief Contextual History of American and Italian Cinema
    • Italian Neorealism: Rossellini, de Sica, Visconti
    • The Continuation of The Golden Era and Surrealism: Fellini, Loren, Mastroianni
    • The Dark Ages: Pier Paolo Pasolini – A Tortured Genius
    • Italian Giallo and The Rise of Dario Argento: 180 Degrees from Neorealism
    • The Emergence of Roberto Benigni in Post-Modern Italian Film
    • Decades Ahead of Its Time: Italian Cinema’S Worldly Influence

    American filmmaking is as much a vital industry, an integral mechanism of the economy as any industry. American cinema was built upon capitalism, and in a society promoting greed, Hollywood films have been historically money-driven. In the 1930s, during the Great Depression, escapism was what sold the most tickets. Films like Scarface (1932) and Ki...

    Italian Neorealism is regarded as the beginning of the Golden Era of Italian cinema. Inspired by the realist movement, its literary predecessor a generation prior, and coinciding with its literary revival, the prominent voice of which was novelist Italo Calvino (Il sentiero dei nidi di ragno, The Path to the Nest of Spiders,1947), Neorealism was a ...

    With a total of 12 Academy Award nominations, Federico Fellini is undoubtedly the most famous Italian director in the history of cinema. As Fellini studied under Rossellini, he developed his own style, eventually transitioning from a screenwriter to a director in the 1950s. He wrote and directed several Oscar-nominated films, including I Vitelloni ...

    Pier Paolo Pasolini’s work as a filmmaker in the modern period of Italian cinema is not by any means a “dark ages” period in the sense of losing one’s art, knowledge, and culture, but, contextually, it is one of Italy’s most unpalatable cinematic movements. Filled with violence, hyper-sexualization, rape, sodomy, and everything in between, Pasolini...

    Perhaps a more palatable portrayal of violence emerged through the Italian Giallo sub-horror genre. For years, Italian films had contained essential elements of cinematic horror, mostly through their reflection of real-life events, but Giallo was the first official Italian horror movement that took the world by storm. Its founder, Dario Argento, be...

    Though Argento was cheeky enough to poke fun at himself and his own genre in all of his films, there was a comedy heavily lacking in Italian cinema until the arrival of comedian and actor Roberto Benigni. Benigni was an international star, especially in America (ironically, despite being a communist party supporter). He drew worldwide attention wit...

    Benigni wasn’t by any means the first Italian star to break into the international spotlight. Italian culture has been a subject of American filmmaking for decades, but Italian filmmaking has influenced international cinema since its inception, particularly American filmmaking. Argento’s Giallo work in the 1970s directly influenced John Carpenter’s...

  3. The cinema of Italy comprises the films made within Italy or by Italian directors. Italy is widely considered one of the birthplaces of art cinema, and the stylistic aspect of Italian film has been one of the most important factors in the history of Italian film.

  4. Italian cinema is renowned worldwide for its rich heritage and influential contributions to the film industry. From the Golden Age of Italian Cinema to the impact it continues to have today, Italian films have captivated audiences with their unique storytelling and artistic vision.

    • Francis Ford Coppola
    • 1972
    • Crime, Drama
  5. Italian cinema, or “Cinema Italiano,” holds a unique draw. Its historical depth, embracing Italy’s diverse heritage, enriches its greatest films with cultural texture. Italian cinema excels in blending joy and entertainment into stories, providing glimpses into the lives of Italians through the ages.

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  7. The cinema of Italy (Italian: cinema italiano, pronounced [ˈtʃiːnema itaˈljaːno]) comprises the films made within Italy or by Italian directors. Italy is widely considered one of the birthplaces of art cinema, and the stylistic aspect of Italian film has been one of the most important factors in the history of Italian film.

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