Sweet Smell of Success
1957
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Clifford Odets (July 18, 1906 – August 14, 1963) [1] was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash. [2]
- 1925–1963
- 2, including Walt
- July 18, 1906, Philadelphia, Pennsylvania, U.S.
- Forest Lawn Memorial Park, Glendale
Mar 29, 2024 · Clifford Odets (born July 18, 1906, Philadelphia, Pennsylvania, U.S.—died August 14, 1963, Hollywood, California) was a leading dramatist of the theatre of social protest in the United States during the 1930s. His important affiliation with the celebrated Group Theatre contributed to that company’s considerable influence on the American stage.
- The Editors of Encyclopaedia Britannica
Clifford Odets was a playwright and screenwriter who wrote classics like Sweet Smell of Success and None But the Lonely Heart. He was also a member of the Group Theatre, a Communist sympathizer, and a witness before the HUAC.
- January 1, 1
- Philadelphia, Pennsylvania, USA
- January 1, 1
- Los Angeles, California, USA
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Learn about the life and career of Clifford Odets, a prominent American playwright and screenwriter in the 1930s and 1940s. Find out his achievements, controversies, relationships, and trivia on IMDb.
- July 18, 1906
- August 14, 1963
May 21, 2018 · Learn about the life and career of Clifford Odets, America's outstanding dramatist in the 1930s. Explore his plays, films, and themes, from social protest to personal drama.
Clifford Odets was born on July 18, 1906, in Philadelphia, Pennsylvania. He was raised in the Bronx, New York, but dropped out of high school to pursue acting. He helped found the Group Theatre in 1933, an influential left-wing theatre company that specialized in experimental acting.
SHOW ALL QUESTIONS. Clifford Odets (July 18, 1906 – August 14, 1963) was an American playwright, screenwriter, and actor. In the mid-1930s, he was widely seen as the potential successor to Nobel Prize–winning playwright Eugene O'Neill, as O'Neill began to withdraw from Broadway's commercial pressures and increasing critical backlash.
