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Contempt. (film) Contempt (French: Le Mépris) is a 1963 French New Wave drama film written and directed by Jean-Luc Godard, based on the 1954 Italian novel Il disprezzo ( A Ghost at Noon) by Alberto Moravia. [6] It stars Brigitte Bardot, Michel Piccoli, Jack Palance, Fritz Lang, and Giorgia Moll .
- 1,597,870 admissions (France)
- $1 million
Contempt: Directed by Jean-Luc Godard. With Brigitte Bardot, Michel Piccoli, Jack Palance, Giorgia Moll. A French writer's marriage deteriorates while working on Fritz Lang's version of "The Odyssey", as his wife accuses him of using her to court favor with the film's brash American producer.
- (35K)
- Drama, Romance
- Jean-Luc Godard
- 1964-12-18
Rated: 3/4 • Nov 19, 2023. Sep 19, 2023. Advertise With Us. Scenes from a marital breakdown between screenwriter (Michel Piccoli) and his wife (Brigitte Bardot), as both become enmeshed in the ...
- (65)
- Brigitte Bardot
- Jean-Luc Godard
- Rome Paris Films
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Contempt is a 1963 French film by Jean-Luc Godard that explores the themes of marital breakdown, artistic compromise, and the cinematic process through the story of a screenwriter torn between a European director, an American producer, and his wife. The film stars Michel Piccoli, Brigitte Bardot, and Fritz Lang, and features a star-studded cast of actors and actresses.
- Camille Javal
Contempt (1963) -- (Movie Clip) Completely, Tenderly, And Tragically Artsy director Jean-Luc Godard makes no explanation for his lighting in this scene introducing principals Camille (Brigitte Bardot) and Paul (Michel Piccoli) in Contempt, 1963, from a novel by Alberto Moravia.
- Jean-Luc Godard, Charles Bitsch
- Brigitte Bardot
Contempt (Aka Le Mepris) (English Subtitled) A screenwriter adapting Homer’s Odyssey for cinema is torn between the demands of a proud European director to whom he wishes to be loyal to; a crude, arrogant American producer; his disillusioned wife Camille; and his own self-respect. 441 IMDb 7.5 1 h 43 min 1964. 13+. Drama · Romance. This ...
Dec 9, 2002 · Contempt, one of Jean-Luc Godard’s greatest masterpieces, has a stately air that breaks with the filmmaker’s earlier, throwaway, hit-and-run manner, as though he were this time allowing himself to aim for cinematic sublimity. It is both his richest study of human relations, and a film very much about a tortured kind of movie love. The film has inspired passionate praise—Sight & Sound ...