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  1. Jan 20, 2012 · Coriolanus: Directed by Ralph Fiennes. With Gerard Butler, Ralph Fiennes, Lubna Azabal, Ashraf Barhom. A banished hero of Rome allies with a sworn enemy to take his revenge on the city.

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  2. The first shows Coriolanus at his heroic best, in the Volscian war, and culminates in his triumphant return to Rome. The second portion traces his failed attempt at the consulship, his fall from grace and his banishment. The third witnesses Coriolanus's return to Rome at the head of the Volscian army, reaches its climax when Volumnia convinces ...

  3. Menenius Agrippa. Menenius is a Roman patrician and surrogate father figure to Coriolanus. He is a master orator and politician, able to expertly calm the common people during the play’s opening rebellion by telling the belly … read analysis of Menenius Agrippa.

  4. Coriolanus is a 2011 British film adaptation of William Shakespeare 's tragedy Coriolanus. It is directed by and stars Ralph Fiennes as the title character, with Gerard Butler as Tullus Aufidius, Vanessa Redgrave as Volumnia, and Brian Cox as Menenius. [5] This is Fiennes' directorial debut. [6] It places Shakespeare's original text and plot ...

  5. CORIOLANUS. I dare be sworn you were: And, sir, it is no little thing to make Mine eyes to sweat compassion. But, good sir, What peace you'll make, advise me: for my part, I'll not to Rome, I'll back with you; and pray you, Stand to me in this cause. O mother! wife!

  6. A Modern Perspective: Coriolanus. By Heather James. Shakespeare’s Coriolanus labors to establish his reputation as Rome’s most valiant son, but his relentless verbal attacks on his fellow Romans and strenuous defenses of himself cause him to lose respect almost as quickly as he earns it. Though no one doubts his valor, many question the ...

  7. Jul 31, 2015 · Act 1, scene 10 Aufidius vows to destroy Coriolanus by any means possible. Act 2, scene 1 Coriolanus is welcomed back to Rome by his family and Menenius, and is expected to be elected consul. (Coriolanus’s entry into Rome has often been staged as a great spectacle; see John Ripley, “Coriolanus’s Stage Imagery,” in Further Reading.)

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