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Cornelis Massijs [1] (1508, Antwerp – c. 1556, unknown), was a Flemish Renaissance painter, draughtsman and engraver, mainly known for his landscapes and, to a lesser extent, genre scenes and portraits. He is regarded as an important figure in the transition from the fantastic landscapes of Joachim Patinir to the 'pure landscapes' of later ...
Cornelis Massys (1510/11–1556/57) • Was a Flemish Renaissance painter, draughtsman and engraver. • He was the son of leading Antwerp painter Quinten Matsys and the younger brother of Jan, who also became a painter. • He trained under his father. • He was admitted together with his brother Jan, as a master in the Antwerp Guild of St ...
Cornelius Massys. Also known as. Cornelis Massys, Cornelis Matsys, Cornelis Metsys, Cornelis Messys, Cornelis Massijs. Date of birth. 1505. Date of death. 1557.
1510 - 1562. Cornelis Massijs, was a Flemish Renaissance painter, draughtsman and engraver, mainly known for his landscapes and, to a lesser extent, genre scenes and portraits. He is regarded...
Overview. Signatures, Inscriptions, and Markings. Provenance. Exhibition History. Title: Portrait of Henry VIII. Artist: Cornelis Massys (Netherlandish, Antwerp 1510/11–1556/57 Antwerp) Date: ca. 1547. Medium: Engraving. Dimensions: Sheet: 6 15/16 × 5 3/16 in. (17.6 × 13.2 cm) Classification: Prints. Credit Line: The Rogers Fund, 1922.
Feb 19, 2023 · Help. Category:Cornelis Massijs. From Wikimedia Commons, the free media repository. Subcategories. This category has the following 3 subcategories, out of 3 total. Prints by Cornelis Massijs (1 C, 50 F) The Temptations of Saint Anthony by Cornelis Massijs (7 F) View of Brussels by Cornelis Massijs (2 F) Pages in category "Cornelis Massijs"
About. Cornelis Massijs (1508, Antwerp – c. 1556, unknown), was a Flemish Renaissance painter, draughtsman and engraver, mainly known for his landscapes and, to a lesser extent, genre scenes and portraits. He is regarded as an important figure in the transition from the fantastic landscapes of Joachim Patinir to the 'pure landscapes' of later ...
