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Feb 28, 2003 · Cradle 2 the Grave: Directed by Andrzej Bartkowiak. With Jet Li, DMX, Anthony Anderson, Kelly Hu. A jewel thief's daughter is kidnapped after he steals a collection of prized black diamonds, which aren't at all what they seem.
- Andrzej Bartkowiak
- 205
- 2 min
English. Mandarin. Korean. Budget. $25 million. Box office. $56 million. Cradle 2 the Grave is a 2003 American action film directed by Andrzej Bartkowiak and starring Jet Li and DMX. The film was released in the United States on February 28, 2003 to generally negative critic reviews and grossed $56 million worldwide.
- $25 million
- Joel Silver
- February 28, 2003
Gang leader Tony pulls off a major diamond heist with his crew, but cop-turned-criminal Ling knows who has the loot and responds by kidnapping Tony's daughter and holding her for ransom. Unfortunately, Tony's lost the diamonds as well. As he frantically searches for his daughter and the jewels, Tony pairs with a high-kicking government agent ...
- (456)
- Su; Anthony Fait; Sona
- R
- 2003
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Anthony Simonaitis. ... special effects general foreman: Replacement FX Crew. Jonathan Spence. ... mechanical effects designer (as Johnnie Spence) / mechanical effects supervisor (as Johnnie Spence) Bob Stoker. ...
Feb 28, 2003 · View All Cradle 2 the Grave photos. Cradle 2 the Grave View more photos Movie Info. Synopsis Master thief Anthony Fait (DMX) pulls off a major jewel heist and somehow manages to escape from the ...
- (125)
- Andrzej Bartkowiak
- R
- Jet Li
Cradle 2 the Grave. When a professional thief and his crew are betrayed during their latest heist, he must team up with a Taiwanese secret agent to reclaim a bag of mysterious black diamonds -- and his daughter. Rentals include 30 days to start watching this video and 48 hours to finish once started. When a professional thief and his crew are ...
Feb 28, 2003 · The funniest scene in "Cradle 2 the Grave" comes over the end credits, as supporting actors Tom Arnold and Anthony Anderson debate how the story should be filmed. This scene, which feels ad-libbed, is smart and self-aware in a way the movie never is. The film itself is on autopilot and overdrive at the same time: It does nothing original, but does it very rapidly.