John C. Reilly
John
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English. Budget. $7 million [2] [3] Box office. $10,062,896 [3] Cyrus is a 2010 romantic comedy-drama film written and directed by Jay and Mark Duplass and distributed by Fox Searchlight Pictures. Its story follows John, a recent divorcée who meets and instantly falls for a woman named Molly.
- $7 million
- Michael Costigan
Jul 16, 2010 · Cyrus: Directed by Jay Duplass, Mark Duplass. With John C. Reilly, Jonah Hill, Marisa Tomei, Catherine Keener. John and Molly, a divorced middle aged man and a single mother meet at a friends party and start up a small relationship, all John has to do now is meet Molly's son...
- Jay Duplass, Mark Duplass
- 143
- 2 min
Oct 19, 2022. Rated: 6/10 • Nov 29, 2020. Seven years after his divorce, John (John C. Reilly) has given up hope that he will find love again. Then he meets Molly (Marisa Tomei), and romance ...
- (157)
- Jay Duplass, Mark Duplass
- R
- John C. Reilly
Cyrus: Directed by Mark Vadik. With Tiffany Shepis, Max Lesser, Brooke Parker, Danielle Harris. An independent TV reporter and her cameraman interview a man in regards to a serial killer the man knew by the name of Cyrus.
- (1.1K)
- Crime, Horror, Mystery
- Mark Vadik
- 2010-08
Jun 23, 2010 · Marisa Tomei plays warm and friendly as well as anyone, and those qualities are essential to “Cyrus,” a film about her grown son and her new boyfriend waging what amounts to war over the possession of her body. There’s no incest, but a photo in her bedroom suggests the son was still getting to second base well into his adolescence. The boyfriend is pathetically happy to get on base at ...
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Cyrus. With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcé finally meets the woman of his dreams, only to discover she has another man in her life - her son. Still single seven years after the breakup of his marriage, John has all but given up on romance.
Sep 7, 2010 · ‘Cyrus’ can be viewed as just an effective and intimate romantic comedy, albeit with a pitch-dark edge of discomfort stemming largely from Hill’s chilling, revelatory performance.
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