Yahoo Web Search

Search results

  1. A typical episode of Da Vinci’s Demons these days clocks in at about 37 minutes of score, itself a feat to accomplish week after week. However, the added need for music throughout these dream sequences in “The Rope of The Dead” bloated the minute count up to a staggering 48 minutes, the longest score I have ever written for a single ...

  2. Oct 9, 2015 · Blending Renaissance tones of the viola da gamba, lutes, and Celtic harp with a contemporary orchestral style, subtly-layered modern synth sounds, and heavy percussion, McCreary’s score weaves the essential themes of the series into an immensely satisfying musical finale.

    • (5)
  3. Over the next few years, McCreary's talents became increasingly in demand as he took jobs scoring NBC's superhero drama The Cape (2011), the historical fantasy series Da Vinci's Demons (2013), and Marvel's Agents of S.H.I.E.L.D. (2013), just to name a few. In 2015, the first of his Billboard-charting soundtracks to the STARZ time-travel series ...

  4. Lorenzo gives Da Vinci the companion half of his father’s mysterious sword, and accepts him as his blood brother. At first, the score features an elegiac statement of the Medici Theme in the strings, but as he bestows the blade, a driving 12/8 ostinato in the low strings and viola da gamba kicks in.

  5. DaVinci's Demons, Season Two [Original Television Soundtrack] by Bear McCreary released in 2014. Find album reviews, track lists, credits, awards and more at Al AllMusic relies heavily on JavaScript.

  6. Mar 30, 2014 · The most important new theme introduced in “The Blood of Man” is for the enemies of the Sons of Mithras, who also quest for the Book of Leaves. Al-Rahim warns Da Vinci of an enemy more ancient and vicious than the Vatican, the “enemies of man,” who attack Da Vinci in his visions in the form of the Horned God.

  7. Sep 28, 2015 · DA VINCI’S DEMONS Season 2 was adventurous, ambitious storytelling requiring a dynamic, thematically layered score. Composer Bear McCreary’s challenge was to take the Renaissance themes he’d developed for the first season and bring new, authentic sounds and voices to reflect the exotic locations of the new world.

    • (11)