Dance-pop is a style of electronic dance music and a subgenre of pop music that evolved from Disco, circa 1981, that combines dance beats with a pop/R'n'B song structure. . Because there is such an emphasis on fully-formed songs in dance-pop, it's often viewed as a separate classification unto itself apart from pure dan
A broad classification for dance music that combines club rhythms with distinctive pop song structures, Dance Pop emphasizes upbeat grooves and hook-filled textures. Monster Dance Pop acts like Madonna and Michael Jackson strongly impacted the charts during their Top-40 reign in the 1980s.
Dance-Pop. Dance-Pop was an outgrowth of disco. Over a pounding, dance-club beat, there are simple, catchy melodies -- dance-pop has more fully-formed songs than pure dance music. Dance-pop is primarily a producer's medium. The producer writes the songs and constructs the tracks, picking an appropriate vocalist to sing the song.
Dance Pop Hits. Hit the dance floor with your favorite bops! By Spotify. 200,045 likes. ... Let Me Down Slowly DMNDS, Strange Fruits Music. All Comes Back To You R3HAB.
Dance-pop. Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-disco and synth-pop, it is ...
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Dance-pop Music Description. Uptempo music influenced by post-disco, synth-pop, new wave and house, characterised by strong beats and uncomplicated song structures with an emphasis on catchiness and melody. Generally produced with the intention of being both danceable and suitable for contemporary hit radio.
- Gloria Gaynor - "Never Can Say Goodbye" (1974) Clifton Davis, part of Motown's team of songwriters, wrote "Never Can Say Goodbye," and it was first recorded by the Jackson 5 in 1970.
- Bee Gees - "You Should Be Dancing" (1976) The three #1 pop hit songs that the Bee Gees wrote and recorded specifically for the soundtrack for the hit film Saturday Night Fever helped bring disco squarely into the pop mainstream.
- Vicki Sue Robinson - "Turn the Beat Around" (1976) Vicki Sue Robinson's early performing career consisted of being mostly a bit player in Broadway shows and films.
- Thelma Houston - "Don't Leave Me This Way" (1977) Harold Melvin and the Blue Notes first recorded "Don't Leave Me This Way." Legendary Philadelphia soul team Kenneth Gamble and Leon Huff co-wrote the song, and it appeared on the 1975 Harold Melvin and the Blue Notes album Wake Up Everybody.
- Todd Terje, “Inspector Norse” (2012) The sound of "Inspector Norse" is, in a word, joyous. This enduring gem is pure Todd Terje: textured, warm and swelling, with a gleaming melody and an intangible undercurrent of humor.
- Rihanna feat. Calvin Harris “We Found Love” (2012)
- Avicii, “Levels” (2011) Avicii was EDM, with his 2011 breakout single "Levels" defining the sound of the genre and the then 21 year old Swedish producer defining the ethos, lifestyle and paycheck potential of top artists in this world.
- Disclosure feat. Sam Smith, “Latch” (2012)
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