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11 Photos. Darren Morze is an award-winning composer best known for scoring Curfew, which won over 40 film festival awards before winning the Oscar for Best Live Action Short Film at the 85th Academy Awards in 2013. To date, he has scored over 100 feature and short films, in addition to several dozen documentaries and two TV series.
Darren Morze. Brooklyn, New York. Darren is a composer/ producer living in Brooklyn. He has toured the world with acts such as Stellastarr*, The Killers, Jane's Addicition and Placebo. His collaboration with Shawn Christensen led to Darren composing Shawn's short film, Curfew, which won the Oscar for Best Live Action Short at the 85th Academy ...
Darren Morze is a composer/music producer living on the sleepy New Jersey coast near New York City. He is known for his work on Curfew, The Vanishing of Sidney Hall, Dark Was the Night, Before I Disappear, Lust for Love, Front Cover, Enter Nowhere, Land of Smiles, and the TV mini-series Age Of The Living Dead. Darren began his career as a ...
Nov 2, 2021 · November 2, 2021 12:00PM. “ Mass ” is an intensely intimate and emotional film. When it came time to score the piece, composer Darren Morze was skeptical of how much music could be added before...
Jan 15, 2022 · by Shadan Larki. January 18, 2022. in Interviews. 0. Photo courtesy of Bleeker Street. Sometimes less really is more. Such is the case with Darren Morze ‘s sublime scoring work in Mass. The film follows two sets of parents who meet for the first time, years after an unimaginable tragedy entwined their lives.
Feb 8, 2017 · Darren Morze Scores the Drama of Sundance’s ‘Sidney Hall’ – Awardsdaily. by Clarence Moye. February 8, 2017. in COMPOSERS, Interviews, Sundance. 3. (Photo: Sundance Film Festival) Composer Darren Morze collaborated with director Shawn Christensen to develop the lush sounds of Sundance entry ‘Sidney Hall.’.
Dec 18, 2021 · Darren Morze has scored over 100 feature and short films over the years, including Curfew, which won Best Live Action Short at the 85th Academy Awards. Recently, we spoke to him about his work on the powerful film, Mass (review here), and how both he and director Fran Kranz believed that the film was more
