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  1. David Samuel Goyer (born December 22, 1965) is an American filmmaker, novelist and comic book writer. He is best known for writing the screenplays for several superhero films, including Nick Fury: Agent of S.H.I.E.L.D. (1998), the Blade trilogy (1998–2004), Christopher Nolan's Dark Knight trilogy (2005–2012), Man of Steel (2013) and Batman v Superman: Dawn of Justice (2016).

    • Screenwriter; comic books
    • Marina Black
    • American
    • David Samuel Goyer, December 22, 1965 (age 57), Ann Arbor, Michigan, U.S.
  2. David Samuel Goyer (born December 22, 1965) is an American filmmaker, novelist and comic book writer. He is best known for writing the screenplays for several superhero films, including Nick Fury: Agent of S.H.I.E.L.D. (1998), the Blade trilogy (1998–2004), Christopher Nolan's Dark Knight trilogy (2005–2012), Man of Steel (2013) and Batman ...

  3. David S. Goyer. Writer: Dark City. David S. Goyer was born on 22 December 1965 in Ann Arbor, Michigan, USA. He is a writer and producer, known for Dark City (1998), The Dark Knight (2008) and Batman Begins (2005).

    • January 1, 1
    • 1.68 m
    • Ann Arbor, Michigan, USA
  4. DAVID S. GOYER has earned a reputation for telling character-driven stories adapted from the otherworldly realms of superheroes, fantasy and the supernatural. His breakout came in 1998 when he wrote the action hit BLADE starring Wesley Snipes, based on the Marvel Comics vampire hunter.

    • David S. Goyer1
    • David S. Goyer2
    • David S. Goyer3
    • David S. Goyer4
  5. David S. Goyer was born on 22 December 1965 in Ann Arbor, Michigan, USA. He is a writer and producer, known for Dark City (1998), The Dark Knight (2008) and Batman Begins (2005). He is married to Marina Black.

    • December 22, 1965
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  7. Jul 22, 2021 · David S. Goyer Interview: Inside His Hits, Fights and Upcoming “Big-A** Swings”. The prolific IP whisperer gives a candid interview covering his past ('Blade,' 'The Dark Knight,' 'Man of Steel ...

  8. Oct 25, 2023 · DAVID S. GOYER: Broaden the audience. Broaden the palate of how we’re painting. By that, I mean seeing more appropriate moments of humor, more characters that are humorous — not to make it a ...

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