David Salle was born to Russian Jewish parents on September 28, 1952, in Norman, Oklahoma, but grew up in Wichita, Kansas. He developed an interest in art at a very young age, spending his childhood and teenage years in art classes provided by a local art organization.https://en.wikipedia.org/wiki/David_Salle
David Salle was born to Russian Jewish parents on September 28, 1952, in Norman, Oklahoma, but grew up in Wichita, Kansas. He developed an interest in art at a very young age, spending his childhood and teenage years in art classes provided by a local art organization.
David Salle, American painter who, together with such contemporaries as Julian Schnabel and Robert Longo, regenerated big, gestural, expressionist painting after years of pared-down minimalism and conceptual art. Salle is known for mixing modes of representation and appropriated ready-made motifs
David Salle was born in Oklahoma but spent his formative youth in Wichita, Kansas. His parents were working class people of Russian Jewish heritage; Salle was among the second generation of his family to be born in America. As a young boy, he took life-drawing classes through a local art organization in Wichita.
- September 28, 1952
- Norman, Oklahoma
David Salle has taken the device of pastiche, which is central to modern art, and made it both the form and the content of his work. His canvases are populated with dramatic images lifted from sources as various as Salle’s own black-and-white photographs, eighteenth- through twentieth-century French and American painting, 1950s print advertising, and how-to-draw manuals.
David Salle is a contemporary American painter, printmaker, and photographer. A prominent Neo-Expressionist artist, his collage-like paintings feature overlapping imagery from a variety of sources—such as magazines, interior décor, and art history—layering figures and patterns into colorful compositions rendered in a straightforward, uncomplicated style.
- Early Training
- Mature Period
- Current Work
- The Legacy of David Salle
David Salle was born in Oklahoma but spent his formative youth in Wichita, Kansas. His parents were working class people of Russian Jewish heritage; Salle was among the second generation of his family to be born in America. As a young boy, he took life-drawing classes through a local art organization in Wichita. His interest in drawing and painting persisted throughout his adolescence, and he continued to take classes several days a week as a high school student.
In 1970, Salle entered the California Institute of the Arts in Valencia, north of Los Angeles. There, he studied under John Baldessari, whose paintings often dealt with altered photographic imagery. In a 2013 interview with his former teacher in Interview, Salle says, "He was my mentor when I was a student at CalArts in the early '70s, and it's fair to say that meeting him redirected my trajectory as an artist - as it did for innumerable others. His legendary class in Post-Studio Art bestowed on those of us with enough brains to notice, a feeling of unbelievable luck of being in exactly the right place at the right time for the new freedoms in art - we arrived in time for the birthing, so to speak." The friendship between the two men has lasted over 40 years. While a student at CalArts, Salle explored various mediums, including video, installation art, and conceptual pieces. He also focused on abstract painting. He earned a BFA in 1973 and stayed at CalArts for graduate study, earni...
In 1980, Salle was living and working in a converted loft space in the city's Tribeca neighborhood when he began to find success as an artist. Following his first solo show in New York City, he formed his association with noted gallery owner Mary Boone, who continues to represent him today. During this time, the painter expanded his practice to include theatrical design. He designed the set and costumes for Kathy Acker's The Birth of the Poet, and went on to design staging and costumes for productions by the dancer and choreographer Karole Armitage. The internationally renowned dancer Mikhail Baryshnikov asked Armitage to create a new work for the American Ballet Theater; Armitage then approached Salle with the project. The collaboration was a fruitful one: the ballet was a success, and Salle and Armitage became lovers, living together for seven years. He met with a tremendous amount of success as an artist during the early 80s, and though his popularity slipped somewhat during the...
Salle eventually moved out of Tribeca to Long Island. He now lives and works in the coastal town of East Hampton, New York. Over the years, he has become a prolific writer on art, contributing to Artforum, The Paris Review, Town and Country, Interview, and a number of other publications. He has given a number of interviews in art publications as well as mainstream glossies such as Vanity Fair and Architectural Digest, and while he is candid about his philosophy of life and his creative process, he consistently reveals very little about his personal life, friends, or family. From 2004 onward, Salle has experimented repeatedly with the vortex motif, mixing representational images with what has typically been an abstract and cartoonish form. One of his more recent series, Late Product Paintings, revisits his Early Product Paintingsseries of 1993, in which collaged renditions of product advertisements provides the basis for an exploration of the complex relationships between image, subj...
Salle's creative endeavors as a painter, printmaker, and stage designer have played a significant role in shaping the sensibility of postmodern art, often mingling 'high' and 'low' art together on a single canvas and blending disparate images and styles into an innovative form of pastiche that speaks to the unique joys and frustrations of life in a late-capitalist society. Though he has been an influential figure in the American art world since the 1980s, his popularity has never been without controversy; he has drawn consistent criticism from feminists who object to his frequent use of nude and scantily clad women in his painting. Along with his contemporaries, among them Robert Longo and Julian Schnabel, Salle ushered in a return to large-scale, gestural expressionism following the minimalism of painting and sculpture in the 1970s. His work has had a major impact on a number of artists, including the Pop-inspired collage canvases of Jeff Koons, multi-panel compositions of found ph...
Neo-expressionist painter David Salle gained prominence in the 1980s as a leader in the return to figuration, along with contemporaries Julian Schnabel, Francesco Clemente, Eric Fischl, and Jean-Michel Basquiat. He is well known for his large-scale canvases featuring a sparse, seemingly disjunctive arrangement of elements, often including ...
David Salle was born in Norman, Oklahoma, in 1952 and spent much of his youth in Wichita, Kansas, before going to California to study art at the age of 18. He received both his B.F.A. (1973) and M.F.A. (1975) from the California Institute of the Arts while studying under the artist John Baldessari.
A ll images © David Salle/VAGA at Artists Rights Society (ARS), NY courtesy of Skarstedt, NY. For permissions and requests see contact page. >see contact page. >
Feb 07, 2017 · Blog Home Abstraction within the Postmodernism of David Salle. Feb 7, 2017. In the introduction to her 2011 interview with the artist David Salle, writer Emily Nathan labeled Salle, “just about the last Postmodernist Painter.”