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  1. Delmer Daves
    American film director, producer, and screenwriter

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  1. Daves earned a law degree at Stanford University but decided to pursue a career in Hollywood. He was a crew member on several films before turning to acting in 1928. Although typically uncredited, he appeared in more than 10 movies, including The Duke Steps Out (1929) and Good News (1930).

  2. THE FILMS OF DELMER DAVES. by chpknock | created - 23 Nov 2020 | updated - 04 Mar 2021 | Public. Greatness Overlooked: The films of Delmer Daves. Refine See titles to watch instantly, titles you haven't rated, etc. 47 titles. 1. Destination Tokyo (1943) Passed | 135 min | Adventure, War. 7.1. Rate.

  3. July 24, 1904. Died. August 17, 1977. Biography. Read More. Accomplished visual stylist who often wrote his own imaginative, and genre-defying, screenplays; his films are always technically proficient but sometimes lack substance.

  4. www.wikiwand.com › en › Delmer_DavesDelmer Daves - Wikiwand

    Delmer Lawrence Daves was an American screenwriter, film director and film producer. He worked in many genres, including film noir and warfare, but he is best known for his Western movies, especially Broken Arrow (1950), The Last Wagon (1956), 3:10 to Yuma (1957) and The Hanging Tree (1959).

  5. Career: Lived for several months in Arizona desert among Hopi and Navajo, renounced law career, and joined Pasadena Playhouse, 1925; joined James Cruze production company as property boy, 1927; scriptwriter at Warner Bros., also actor, from 1929; directed first film, Destination Tokyo , 1944; formed Diamond-D productions, 1950s.

  6. https://www.jstor.org/stable/j.ctv2gbsd73.12. xml. 978-1-4968-3889-6. Film Studies, Cultural Studies, Performing Arts. Delmer Daves (1904-1977) was an American screenwriter, director,and producer known for his dramas and Western adventures, mostnotably Broken Arrow and 3:10 to Y...

  7. The Ethical Romantic. By Bertrand Tavernier in the January-February 2003 Issue. Dark Passage. Delmer Daves is the most forgotten of the American directors championed by French film critics in the Fifties—why? The reasons have little to do with his true stature as a filmmaker.

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