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5 days ago · Nero Wolfe is a brilliant, obese and eccentric fictional armchair detective created in 1934 by American mystery writer Rex Stout. Wolfe was born in Montenegro and keeps his past murky.
4 days ago · Film noir ( / nwɑːr /; French: [film nwaʁ]) is a cinematic term used primarily to describe stylized Hollywood crime dramas, particularly those that emphasize cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir.
- United States
- early 1920s – late 1950s
Apr 18, 2024 · Agatha Christie began writing detective fiction while working as a nurse during World War I (1914–18). She began her debut novel, The Mysterious Affair at Styles, in 1916 and published it after the end of the war, in 1920. The novel introduced Hercule Poirot, one of Christie’s most enduring characters.
- The Editors of Encyclopaedia Britannica
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Apr 30, 2024 · Raymond Chandler (born July 23, 1888, Chicago, Illinois, U.S.—died March 26, 1959, La Jolla, California) was an American author of detective fiction, the creator of the private detective Philip Marlowe, whom he characterized as a poor but honest upholder of ideals in an opportunistic and sometimes brutal society in Los Angeles.
- The Editors of Encyclopaedia Britannica
Apr 30, 2024 · “From Doon with Death” Ruth Rendell (born February 17, 1930, South Woodford, Essex, England—died May 2, 2015, London) was a British writer of mystery novels, psychological crime novels, and short stories who was perhaps best known for her novels featuring Chief Inspector Reginald Wexford.
- The Editors of Encyclopaedia Britannica
Apr 29, 2024 · In that short story, Poe established a template that would be followed by some of the most famous detective fiction authors in history—a narrator who acts as an assistant to a mercurial and brilliant detective as they solve baffling cases. Sir Arthur Conan Doyle, who read and admired Poe, adopted this format when he invented Holmes and Watson ...
3 days ago · Detective fiction was one product of a late 18th- and early 19th-century shift in focus (and sympathy) in fiction from criminals to the police, driven by increasing expectations of orderliness and a declining severity of punishment.
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