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  1. Dirty Harry (film series)

    Dirty Harry (film series)

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  1. en.wikipedia.org › wiki › Dirty_HarryDirty Harry - Wikipedia

    Dirty Harry is a 1971 American neo-noir action thriller film produced and directed by Don Siegel, the first in the Dirty Harry series. Clint Eastwood plays the title role, in his first appearance as San Francisco Police Department (SFPD) Inspector "Dirty" Harry Callahan.

    • December 23, 1971
  2. Dec 23, 1971 · Clint Eastwood stars as Inspector "Dirty" Harry Callahan, a tough cop who hunts a sniper named Scorpio in San Francisco. IMDb provides cast and crew information, user and critic reviews, trivia, goofs, quotes, and more for this classic film.

    • (165K)
    • Don Siegel, Clint Eastwood
    • R
    • Action, Crime, Thriller
  3. Dirty Harry is an American neo-noir action thriller film series featuring San Francisco Police Department Homicide Division Inspector "Dirty" Harry Callahan. There are five films: Dirty Harry (1971), Magnum Force (1973), The Enforcer (1976), Sudden Impact (1983) and The Dead Pool (1988).

  4. Cop Harry Callahan (Clint Eastwood) attempts to track down a psychopathic rooftop killer before a kidnapped girl dies. When he is found Harry abuses the murderer's civil rights putting him back...

    • (3.8K)
    • Don Siegel
    • R
    • Clint Eastwood
  5. A classic cop movie starring Clint Eastwood as Inspector "Dirty" Harry Callahan, who faces a sniper named Scorpio who demands ransom and kills randomly in San Francisco. The plot follows Harry's tough and unorthodox methods to stop the killer, while clashing with the mayor and the police chief.

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  7. Dec 23, 2021 · Fifty years ago, "Dirty Harry" was released, starring Clint Eastwood as a rule-breaking inspector who hunts a serial killer in San Francisco. The film was inspired by the Zodiac killings and spawned four sequels, featuring Eastwood's iconic "Do I feel lucky?" speech.

  8. Roger Ebert praises Clint Eastwood's performance as a rogue cop who breaks the law to catch a serial killer, but criticizes the movie's fascist moral position. He argues that the film is a reflection of society, not a cause of it, and that Eastwood is a bearer of bad news.

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