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  1. en.wikipedia.org › wiki › Dominik_GrafDominik Graf - Wikipedia

    1975–present. Dominik Graf (born 6 September 1952) is a German film director. He studied film direction at University of Television and Film Munich, from where he graduated in 1975. [1] While he has directed several theatrically released feature films since the 1980s, he more often finds work in television, focussing primarily on the genres ...

    • German
    • 1975–present
    • Film director
  2. www.imdb.com › name › nm0333705Dominik Graf - IMDb

    Director. Writer. Actor. IMDbPro Starmeter See rank. Dominik Graf was born on 6 September 1952 in Munich, Bavaria, West Germany. He is a director and writer, known for Fabian: Going to the Dogs (2021), Dreileben (2011) and Der Felsen (2002). More at IMDbPro.

    • January 1, 1
    • Director, Writer, Actor
    • Munich, Bavaria, West Germany
    • Dominik Graf
  3. Jan 31, 2023 · Dominik Graf. “West Germany Was Stolen from Us”: Dominik Graf on the Role of German Unification in His Films. Marco Abel. January 2023. Interviews. Issue 104. Dominik Graf is one of Germany’s most important – and prolific – filmmakers of the last half century.

    • Marco Abel
  4. Dominik Graf (* 6. September 1952 in München) ist ein deutscher Film- und Fernsehregisseur . Inhaltsverzeichnis. 1Leben. 2Filmografie (Auswahl) 3Auszeichnungen. 4Schriften. 5Literatur. 6Dokumentarfilm. 7Weblinks. 8Einzelnachweise. Leben[Bearbeiten | Quelltext bearbeiten]

  5. Jun 6, 2021 · In his latest work, “Fabian — Going to the Dogs,” Dominik Graf adapts a work that defines the tragic, hedonistic and dysfunctional era of the Weimar Republic from a writer widely known for his...

  6. Jul 11, 2010 · Unusual for a film festival, the organisers decided to include the world premiere of Dominik Grafs ten-hour long television crime series, Im Angesicht des Verbrechens (In Face of the Crime, 2010). The screening was divided into two five-hour-long blocks, one on Saturday, the other on Sunday.

  7. Nov 20, 2023 · Grafs latest documentary, Melting Ink, which premiered at the Berlin Critics’ Week last February and is as yet undistributed in the U.S., takes Regnier’s research as a starting point for a wide-ranging analysis of those parts of the human psyche that justify and then repress our most beastly behaviors.

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