Catherine Deneuve
Marie-Hélène de Boismonfrais
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Don't Touch the White Woman! ( French: Touche pas à la femme blanche !) is a 1974 French-Italian Western comedy film co-written and directed by Marco Ferreri. [2] Plot. A fictionalized version of Custer's Last Stand, set at a real building site in Paris, France. Marcello Mastroianni stars as General George Armstrong Custer.
- Touche pas à la femme blanche !
- Marco Ferreri
Jan 23, 1974 · Don't Touch the White Woman!: Directed by Marco Ferreri. With Catherine Deneuve, Marcello Mastroianni, Michel Piccoli, Philippe Noiret. A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris.
- (929)
- Comedy, Western
- Marco Ferreri
- 1974-01-23
Jun 9, 2020 · Michel Piccoli as Buffalo Bill, remembering the days when he killed more than 4,000 buffalo in 18 months in Don’t Touch the White Woman (1974) Gen. Terry (Philipppe Noiret) and George Custerr (Marcelloo Mastroianni) present the Indians with options they knew will lead to war in Don’t Touch the White Woman (1974)
- (2)
The story of General Custer's battle against Sitting Bull is juxtaposed with an excavation tied to an urban renewal project in Paris in 1974.
- (280)
- Marco Ferreri
- Comedy, Biography, Western
- Catherine Deneuve
Film Details. Notes. Brief Synopsis. A western following Custer, Buffalo Bill, Custer's boss, General Terry and a white woman-exploiting Indian scout. Cast & Crew. Read More. Marco Ferreri. Director. Marcello Mastroianni. Custer. Catherine Deneuve. Marie-Helene. Michel Piccoli. Buffalo Bill. Philippe Noiret. Terry. Ugo Tognazzi. Mitch.
- Marco Ferreri
- Marcello Mastroianni
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01/23/1974 (FR) Comedy , Western 1h 48m. User. Score. What's your Vibe ? Overview. A highly stylized surreal farce about the events leading up to Custer's Last Stand anachronistically reenacted in an urban renewal area in modern Paris. Marco Ferreri. Director, Writer. Rafael Azcona. Writer. Reviews 0. Discussions 0. Videos 0. Backdrops 1. Posters 6
The political farce of the narrative collides with the real-life transformation of the modern capital, documenting the demolition of the ancient market of Les Halles. This parodic revenge Western film was shot against all odds; if La Grande Bouffe was Ferreri’s biggest success, Don’t Touch the White Woman! was his biggest commercial failure.
