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  1. Feb 12, 1994 · Donald Judd was an American artist, whose rejection of both traditional painting and sculpture led him to a conception of art built upon the idea of the object as it exists in the environment. Judd's works belong to the Minimalist movement, whose goal was to rid art of the Abstract Expressionists ' reliance on the self-referential trace of the ...

  2. Mar 31, 2024 · Donald Judd (born June 3, 1928, Excelsior Springs, Missouri, U.S.—died February 12, 1994, New York, New York) was an American artist and critic associated with Minimalism. Credited as Minimalism’s principal spokesman, Judd wrote what is considered to be one of the most significant texts of the movement, “ Specific Objects” (1965).

  3. juddfoundation.org › artist › artArt | Judd Foundation

    This section provides a selection of work by Judd including paintings, objects, drawings, and prints. The Donald Judd: Catalogue Raisonné of Paintings, Objects, and Wood-Blocks 1960-1974 was published by the National Gallery of Canada, Ottawa in 1975.

  4. Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading ...

  5. At the center of the Chinati Foundation’s permanent collection are 100 untitled works in mill aluminum by Donald Judd installed in two former artillery sheds. The size and scale of the buildings determined the nature of the installation, and Judd adapted the buildings specifically for this purpose.

  6. American. Biography. Donald Judd was a leading figure in minimalism, a movement that dominated the American art scene of the 1960s and early 1970s. Although he rejected the label, his large, machine-finished, geometric structures defined minimalist art.

  7. Mar 2, 2020 · He’s Donald Judd; you’re not. He came on as a Savonarola of art in early writings and interviews, preaching a chastened aesthetic that should be “non-naturalistic, non-imagistic,...

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