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  1. Tilden saw art and sign language as being very connected via their visual nature. “I see pictures mentally and think in gestures.”. As a sculptor, he was called “the Michelangelo of the West.”. He was the first sculptor to focus on CA themes: pioneers, Indians, Spanish-American war volunteers.

  2. Douglas Tilden, San Francisco's Father of Sculpture, was a skilled and lucky man who lived in a glorious age. Today, the quality and the significance of his commissions is mostly lost on the crowds of tourists who rush past his most notable public works on their way to hot dog carts and jangling tour trolleys.

  3. Unquestionably one of California's finest sculptors, Douglas Tilden was born in Chico in 1860. (He is no relation to Charles Lee Tilden, after whom Tilden Park was named). As a young child, Tilden lost his hearing due to scarlet fever, and he entered the California School for the Deaf and Blind in Berkeley in 1866.

  4. Sep 8, 2017 · Douglas Tilden (May 1, 1860 to August 5, 1935) was a world-famous sculptor. Tilden was deaf and attended the California School for the Deaf in Berkeley, California (now in Fremont, California). [1] Tilden became deaf at the age of four after a severe bout of scarlet fever. [2]

  5. Douglas Tilden (May 1, 1860 – August 5, 1935) was an American sculptor. He was deaf from a bout of scarlet fever at the age of four and attended the California School for the Deaf in Berkeley, California (now in Fremont, California ). He sculpted many statues that are located today throughout San Francisco, Berkeley, and the San Francisco Bay Area.

  6. Douglas Tilden exhibited The Young Acrobat at the 1893 World's Columbian Exposition in Chicago. The work shows a chubby, nude baby poised unsteadily in the palm of a man's outstretched arm. The rolled-up sleeve may symbolize the working man who holds up to the world the hope and promise of the future. The work reveals Tilden's characteristic ...

  7. The Mechanics Fountain by Douglas Tilden (1860-1935) is located today on the corner of Market, Battery, and Bush Streets in downtown San Francisco (Fig. 1). The bronze sculpture rises approximately fifteen feet above a six-and-a-half-foot granite base designed by the San Francisco architect Willis Polk. Commissioned in 1896 by the estate of

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